Virgil

V/A Home Grown Rockabilly

Home Grown Rockabilly - Nervous
Home Grown Rockabilly – Nervous

Alligator / Nervous
Crazy love – The Meteors / London is my hillbilly home – Johnny Key And The Kool Kats /Rockin’ this joint tonite – The Rhythm Cats /Hi ho fiddle dee dee – Gentleman Jim Mealey /I’m on my way – The Rhythm Cats /Tears fallin’ down like rain – Johnny Key And The Kool Cats /Go away – The Meteors /Move over baby – The Rhythm Cats /Rockin’ all nite – The Polecats /Little confused – Gentleman Jim Mealey /My baby loves me – The Meteors /My baby’s gone – The Rhythm Cats /Second hand information – Gentleman Jim Mealey /Fallin’ for you – Johnny Key And The Kool Kats /I’d find you – Gentleman Jim Mealey /Keep my big wheels turnin’ – Johnny Key And The Kool Kats / Make you realise – Johnny Key And The Kool Kats /Rockin’ on down the line – Gina And The Rockin’ Rebels /Thinkin’ on you – Gina And The Rockin’ Rebels

This compilation first issued on Alligator records in 1980 captures the British rockabilly scene at a key moment of its evolution. It was produced by Terry Earl, Pete Pritchard and Niggsy Owens, respectively drummer, bassist and guitarist of Flying Saucers. They were also the “house band” of the label appearing under the moniker of the Kool Kats on some sides.
The Meteors tracks are three Fenech originals that he sings too. It’s first class Rockabilly with a touch of skiffle on “My Baby Loves Me (Yes She Does)“. We’re far from the sound that ‘d be latter found on “In Heaven”. Actually these three songs were recorded during the transition between Raw Deal (who featured Terry Earl and Pat Panioty who later went on to form the Deltas) and the Meteors. By the time this compilation was released their sound had changed.
Another band who had a lasting influence on the Rockabilly scene was the Polecats. They only recorded one song for this album as they wanted to keep their material for a major record deal.
Before joining the Polecats, Neil Rooney played with the Rhythm Cats along with Peter Davenport and Anders Janes who later formed the Stargazers another rockin’ band to get a deal with a major. The recorded four songs of rural hillbilly bop mixed with rockabilly and early Bill Haley. “Move Over baby” was later reworked by the Stargazers and is/was available on “Rock that Boogie” on Vinyl Japan.
Gentleman Jim (Mealey) played solid rockabilly in the Sun/Meteor style while Johnny Key leaned more toward the hillbilly side of things with mandolin, banjo, fiddle and dobro.
The cd and mp3 version contain the other singles released by the label. Gina and the Strollers released two hot rockabilly numbers. “i’d Find You” is a solid western swing with sax and fiddle by Gentleman Jim while Johnny Key produced “Make You Realise” in the style of Johnny Cash and “Hillbilly Music” covered by Kitty Daisy and Lewis nearly 30 years later on their debut album.

Fred “Virgil” Turgis

The Shooting Stars

The Shooting Stars
The Shooting Stars – On the Road Again!

The Shooting Stars – On the Road Again

Rythm Rock-It Records EPRR4 [2015]
On the Road Again! – Tradesman’s Blues – Bad Day – Lettie-Boo – Shitkicker

The super Rock’n’Roll combo featuring Steve Pulford, Darren Lince, Helen Ingham, Wayne Harrison and Ricky Lee Brawn returns, after a brilliant single, with a mini LP recorded at Toe Rag Studios. What started as a western swing influenced band with steel guitar is now a mean Rocin’ machine propelled by Brawn’s drumming.
There are four originals and one cover that range from traditionnal Rockabilly (Tradesman’s Blues) to dirty boogie blues (Canned Heat’s On the Road Again) with the Lettie Boo and Bad Days that has some 60’s Bakersfield feel in between. ShitKicker a Link Wray influenced instrumental penned by Lince closes the set on a high note.
As usual superb artwork by Hi-Artz Press.


The Shooting Stars - Watchtower Blues
The Shooting Stars – Watchtower Blues

The Shooting Stars – Watchtower Blues EP

Watchtower Blues – Shoulda Moved to Memphis – Watchower Blues (fast bopper version)
Rhythm Rock-It

The Shooting Stars are a brand new combo formed around Ricky Lee Brawn.
Though he already used this name in the nineties to back Marshall Lytle on a western swing album (a great album by the way)  this is a totally new line-up with Steve Arlene/Pulford on vocals, Darren Lince on guitar, Phil Morgan on steel, Darren Richards on double bass, Helen Shadow on mandolin and guitars and of course Ricky Lee Brawn. Together or separately they have played with the Stargazers, the Big Six, the Space Cadets, Johnny Bach, Jack Rabbit Slim, the Tennessee Rhythm Riders, the Queen B’s, the Blackwater Boys, the Johnson Family and quite a few more which is impressive.
Watchtower Blues is a solid rockin’ boogie blues that sounds a bit like the Space Cadets and features Brawn’s unmistakable drum style. Two versions are included, the second being slightly faster than the first. It is backed with Shoulda Moved to Memphis a country tune with steel guitar and super guitar work reminiscent of Grady Martin by Darren Lince.
It also exists on 10″ transparent green vinyl on a limited edition of 500 (with hand printed sleeve) with HulaShuffle instead of the second take of Watchtower Blues.
It seems that the line-up changed since the release of that ep and Wayne Harrison is now on double bass and Phil Morgan has left the band.
Hope to hear a LP by the band soon.
Find them on Facebook and go to Rhythm Rock-It to order it.

Fred “Virgil” Turgis

Crazy Tones (the)

The Crazy Tones - Holland
The Crazy Tones – Holland

The Crazy Tones

Country: Netherland
The Crazy Tones took form when Remi Groot met Jacco Buchholz in 1985 during a concert of The Keytones. They got along well and decided to form a Rock’n’roll band. Buccholz knew a drummer, “Beerke”, and they started to rehearse on a hot summer day.
They built a small repertoire and played some gigs at Remi’s school, later on in bars and festivals. In July 1986 they recorded in a small studio in Venlo their first demo “Gene’s gone” and “I feel the blues.
A year later, after playing a lot of gigs together with The Keytones, The Chevy Cats, Restless etc. they recorded “Rockabilly Party” and “Let’s make some love” for Disky-records under the supervision of Boz Boorer of The Polecats. It was on a compilation album with 6 other Rockabilly bands from the Netherlands.
The release and presentation was at the Paradiso, Amsterdam.
After Beerke left the band in 1988, Remy had to do his military duty, but kept on rockin’on with The Crazy Tones. Ritchie Adams then joined on drums.
In 1989 they recorded for Tombstone records their first (and unique) album “She’s got what it takes” which is a little neo-rockabilly masterpiece. This album resulted in a lot of gigs around Holland, Germany and Belgium.
They also won the contest “the small-price of Utrecht” in 1990. The price: a track on a CD on the culty Kelt-records company. It was “If you wanna be the 1-4-me”.
The Crazy Tones disbanded in 1992 after a Good-bye-party at The Paradox, Boxtel, the Netherlands.

Album
She’s Got What It Takes
Tombstone Records [1989]
Reissued on Cd on Rarity Records with bonus tracks

Collector’s Choice

variouscollectorschoice_texasfever Vol 1 – Texas Fever
El Toro ETCD-CH101
1. Ken Marvin – Uh Uh Honey – 2. Fred Crawford – I Learned Something From You – 3. Leon Tassin with Charlie Stuckey’s Westerners – Get A Move On, – 4. Hub Sutter and The Hub Cats – Gone Golsing – 5. Jacoby Brothers – Who Ye Primpin Fer? – 6. Al Urban – Run Away – 7. Alden Holloway and His Prairie Riders – Woodpecker Love – 8. Lucky Hill – I’m Checkin’ Out – 9. Perry Washburn and The Rocky Mountain Canary Boys- Pocahontas Baby – 10. Earney Vandagriff – Where You Been – 1. Jimmie Walton – High As A Georgia Pine – 12. Stoney Calhoun and The Night Owls – Hot ‘N’ Cold – 13. Johnny Maxwell and The Rhythmmasters- Ole Satan’s Mother-In-Law – 4. Ken Marvin – Two Tone Ten Ton – 15. Jack Cardwell – Walking Away My Blues -16. Walter Scott – I’m Walking – 17. Chuck Ray and His Gang- I May Not Be Able But I’m Willing To Try – 18. Unknown Artist Acetate – Texas Fever – 19. King Sterling and His Blue Grass Melody Boys – Too Many Taverns – 20. Sammie Lee – Olahoma Blond Headed Gal

variouscollectorschoice_campusboogieVol 2 – Campus Boogie
El Toro ETCD-CH102
1. Jimmy Collie – I’m Not Giving Up That Easy – 2. Slim Williams – Out Running Around – 3. The Hooper Twins – You’re Always The Last To Know – 4. Leonard Sipes And The Rythmn Oakies – Smooth Sailing – 5. Ed Camp – Tie A String Around Your Finger – 6. Chuck Kyles With Excel Country Music Makers – You’ll Like Count – 7. Terry Fell And The Fellers- Smoking Cornsilks – 8. Al Runyon With The Gateway All-Stars – My Baby Left Me – 9. Betty Coral With Raymond Mccollister And His Orchestra – Chili D – 10. Jack Derrick – Rainbow Of Love – 11. Gene O’quin – You’re Gonna Be Sorry -12. Frank Evans And His Top Notchers – Barrell Of Heartaches – 13. Joyce Lowrance And Earney Vandagriff – Hush Money – 14. Don Johnson And The Mountain Wizards – Flying Low – 15. T. Texas Tyler And His Oklahoma Melody Boys – Black Jack David – 16. Al Brumley And The Brumley Brothers – You’ve Been Tellin’ Lies – 17. Hank Crowe – Love Love Love – 18. Tiny Adams – Long Gone Daddy – 19. R.D. Hendon And His Western Jamboree Cowboys – Ain’t Got A Lick – 20. Leonard Sipes And The Rythmn Oakies- Campus Boogie
“Collector’s Choice” a perfect name for this great and exciting serie launched by El Toro Records from Spain. It gathers a majority of unknown and rare recording from the 50’s that were until now only available on scarce 45’s and 78’s.
Volume 1 focuses on the Lone Star state artists. Home of musical legends, it was also full of lesser known but talented guys. The result is a 20 songs compilation filled with Hillbilly Bop (Ken Marvin, Alden Holloway, Stoney Calhoun), Hank Williams’ brand of country tunes( Jack Cardwell, Fred Crawford, Sammie Lee and Perry Washburn), talking blues (Leon Tassin’s Get A Move On Baby) proto rockabilly (Johnny Maxwell, King Sterling, Lucky Hill and Jimmmie Walton, both very close to Charlie Feathers’ vocal on tunes like Peepin’ Eyes), straight hillbilly (Jacoby Brothers), rock’n’roll (Hub Sutter’s Gone Golsing produced by Sonny Fisher). It comes with a 8 page booklet full of info including pictures of the original labels.
Volume 2 is equally good, the sole difference is that this time you find artist from the whole States. Though names like Gene O’Quinn, Terry Fell, Leonard Sipes/Tommy Collins and T Texas Tyler may be familiar you still have plenty of obscure and rare stuff. So if you’re ready for good dose of uptempo hillbilly with raw steel guitar and fiddles, don’t look no further. Like the previous one you can hear the influences of “big names” on local artists: Hank Williams is almost everywhere but also Ernest Tubb (just listen to Jimmie Collie) and Elvis Presley (Al Runyon’s cover of My Baby Left Me).
It’s also fine to hear some ladies on this selection wether it’s solo (Betty Coral) or duet (Joyce Lawrence and Earney Vandagriff). Volume 2 comes with a 12 page booklet.
Buy both, you won’t regret it, believe me.

variouscollectorschoice_firecrackerstompVol 3 – Firecracker Stomp
El Toro ETCD-CH103
1 Firecracker Stomp  – Jimmy Lane – 2 That Done It – Opal Jean – 3 Hillbilly Wedding – Shorty Long & Dolly Dimple – 4 Wild Oats – Lonzo & Oscar – 5 I’m Movin’ On – Jeanne Gayle – 6 I’m Your Man – Myrna Lorrie & Buddy de Val – 7 A Gambler’s Love – Marty Roberts – 8 I’m Gonna Comb You Outta My Hair – Bobby Roberts – 9 Store Bought – The Andrews Brothers – 10 Jack & Jill – Bill Taylor – 11 Tennessee Courtin’ Time – Opal Jean – 12 One-Two-Three Skidoo – Pete Lane – 13 Oh, I Like It! – Carolyn Bradshaw – 14 Standing In The Station – Shorty Long – 15 Cry, Cry, Cry – Texas Bill Strength – 16 Freight Train Blues – Jimmy Dean – 17 Love Me, Love Me – Eddy Star – 18 Hawk-Eye – Bobby Lord – 19 Rock Love – Elaine Gay – 20 Dig These Blues – The Rhythm Rockers

variouscollectorschoice_whatanightVol 4 – What A Night
El Toro ETCD-CH104
1 Ponytail – Muvva “Guitar” Hubbard – 2 Hoebe Snow – Benny Martin – 3 It’s A Long Road  – Nancy Dawn & The Hi-Fi Guys – 4 I Want Her Blues  – Bob Gallion – 5 Crash Out  – Jaycee Hill – 6 Blue Moon Of Kentucky – Roberta Sherwood – 7 My Honey – Jimmy Edwards – 8 Lonely Man – Jack Tucker – 9 Woody’s Rock – Jimmy Woodall – 10 Don’t You Realise? – Eddy Dugosh & The Ah-Ha Playboys – 11 One Of These Days – Tracy Pendarvis – 12 Eskimo Boogie Betty Jo & Johnny Starr – 13 What A Night! – Lee Emerson – 14 The Stop, Look & Listen Song  – Ernie Chaffin – 15 Open Up Your Door, Baby – Eddie Dean & Joanie Hall – 16 Uncle Sam’s Call – Jimmy Woodall – 17 Next – Billy Brown – 18 The Fire Of Love – Bobby Lord – 19 One Mile – Eddy Dugosh & The Red Tops – 20 Swingin’ The Gate  – Gatemouth Brown
The third and fourth volume of this excellent serie gather stuff from the collection of Dave Penny. Like volume one and two, the material compiled is mostly rare and comes from obscure artists though the names of Ernie Chaffin, Lonzo and Oscar, Gatemouth Brown and Jean Chapel are surely familiar to our readers. But once again this is lesser known recordings that appear here.
“Firecracker Stomp” focuses on the hillbilly side of things. It kicks off with a Arthur “Guitar Boogie” Smith kind of instrumental from Jimmie Lane. The rest of the selection is made of classic honky tonk, country duets (I’m Your Man by Myrna Lorrie and Buddy De Val will make the pleasure of Ginny Wright/Tom Tall fans), hillbilly comedy act (Lonzo & Oscar), muscled hillbily that just demands to mutate into rockabilly (I’m Movin’ On), hillbilly bop (Pete Lane)… The influence of Hank Williams van be vividly heard on Bobby Roberts’ I’m Gonna Comb You Outta My Hair and Eddy Star Love Me, Love Me. Also included is Carolyn Bradshaw, who’s in addition of being talented, shows that Chess record actually release some country flavored tunes too. Another of my fave here is Jimmy Dean’s rockin’ hillbilly blues version of Freight Train Blues. This song is sure to appeal fans of Ray Condo and His Hardrock Goners. The closer is a great cowboy jazz instrumental from the Rhythm Rockers, actually Nashville session musicians led by Chet Atkins.
“What A Night” is about Rock’n’roll under its different forms: instros (the strange “Ponytail” and the jazz blues of Gatemouth Brown), Rockabilly (Ernie Chaffin with a non Sun single not available on the Bear cd), Hillbilly Boogie (Eskimo Rock), Blues and Rhythm’n’Blues.
Both records come with detailed liner notes and photos.

variouscollectorschoice_5boogiewoogiefeverVolume 5 – Boogie Woogie Fever
El Toro ETCD CH105
1. Coal Miners Boogie – The Singing Miner (George Davis) – 2. Black Berry Boogie – Outpost Scotty and his Ramblers – 3. Dallas Boogie – Freddy Dawson – 4. Drop In Boogie – Bob Presley – 5. Boogie Woogie Square Dance – Jim Boyd and his Men from theWest – 6. Pisto Boogie – Dude Martin – 7. Steamboat Boogie – Ricky Riddle – 8. Ghost Town Boogie – Orville Newby and the Saddle Serenades – 9. Blue Hen Boogie – Tex Daniels and his Lazy Ranch Boys – 10. Hot Rod Boogie – Dorse Lewis “The Scared Coal Miner” and the Shadow Mountain Boys – 11. Mule Boogie – Jack Shook – 12. The Shot Gun Boogie – Outpost Scotty and his Bar-X-Boys – 13. Billy Goat Boogie – Red Sovine – 14. Food Plan Boogie – Jacoby Brothers – 15. Houn’ Dog Boogie – Sheldon Gibbs and the Arizona Ranch Boys – 16. Nail Drivin’ Boogie – Curley Smith and Blue Mt. Boys – 17. Hart’s Boogie – Curley Hickson and Band – 18. Straw Brown Boogie – Dick Spain with the Boogie Valley Boys – 19. Highall Boogie – Richard Prine and his All Stars – 20. Eskimo Boogie – Betty Jo & Johnny Starr
The new volume of this collection is entirely devoted to Boogie Woogie. It seems that, at one time, everybody and his cousins recorded boogie woogie following the path of Tennessee Ernie Ford (whom 2 covers are included here). Maybe 20 country boogie in a row would sound too much but the selection is well done and avoids as possible repetitions. Okay it follows more or less the same pattern but the instrumentations are varied (steel, guitar, fiddle, accordion, piano you name it…) as well as the tempos.
It goes from the raw sound of George Davis the Singing Miner to the more polished arrangement ala Spade Cooley of Jim Boyd, brother of western swing bandleader Bill Boyd and one time member of Roy Newman’s band and he Light Crust Doughboys.
A good overview of a major subgenre of hillbilly music, that comes with an informative booklet.

variouscollectorschoice_6boppinhitparadeVolume 6 – Boppin’ Hit Parade
El Toro ETCD CH106
1. Kaw-Liga – Delbert Barker – 2. Weary Blues – Delbert Barker – 3. Go, Boy, Go – Bob Sandy & The Rhythm Rangers – 4. Hep Cat Baby – Rusty Howard& The Rhythm Rangers – 5. Hearts Of Stone – Delbert Barker – 6. Live Fast – Love Hard – Die Young – Marlon Raimey With The Country All-Stars – 7. I Forgot To Remember To Forget – Bob Sandy & The Rhythm Rangers – 8. Cry, Cry, Cry – Bob Sandy & The Rhythm Rangers – 9. Folsom Prison Blues – Bob Sandy & The Rhythm Rangers – 10. Blue Suede Shoes – Hank Smith & The Nashville Playboys (Leon Payne) – 11. There You Go – Arkie Small – 12. Honky Tonk Man – Charlie Chain With The Gateway All-Stars – 13. I’m A One Woman Man – Jack Williams & The Nashville Playboys (Leon Payne) – 14. Uncle Pen – Al Runyon With The Gateway All-Stars – 15. 20 Feet Of Muddy Water – Dixie 508 -Uncredited Artist (Leon Payne Or Eddie Noack) – 16. My Baby Left Me – Rusty Howard& The Rhythm Rangers – 17. Geisha Girl – Dixie 526 – Uncredited Artist (Country Johnny Mathis) – 18. Invitation To The Blues – Dixie 536 Uncredited Artist (Eddie Noack) – 19. Gonna Give Myself A Party – Dixie 536 Uncredited Artist (Eddie Noack) – 20. Alone With You – Dixie 537 Uncredited Artist (Eddie Noack)

The 6th volume of this serie is a collection of top hits cut by obscure artist for budget label. The evidence forces to say that most, if not all, suffer from the comparison with the original (in a way it sounds suicidal to cover Hank Williams) but some deliver a certain charm that belongs to weird and even amateurish things (like B-movies if you want). Others are terrible failure but none the less fascinating (the musical equivalent to Ed Wood if you want to stick with the movie metaphor). Hank Smith (aka Leon Payne) plays Blue Suede Shoes with a rather unrehearsed band that doesn’t seem to know where the breaks are, Bob Sandy has a very personnal conception of tempo, too bad his band doesn’t share his view and My Baby Left Me by Rusty Howard is totally insane (but would almost make the Legendary Stardust Cowboy jealous).
It may not be the best of the serie in term of musicianship but it’s probably one of the most interesting.

Roy Rapid and the Rhythm Rock Trio

Roy Rapid and the Rhythm Rock Trio - One Last Chance
Roy Rapid and the Rhythm Rock Trio – One Last Chance

Roy Rapid and the Rhythm Rock Trio – One Last Chance

[2012]
Barefoot Blue Jean Baby – Blue Ribbon Stroll – Firewater Tom (AKA The Hurt) – Meanie Little Queenie – Goodbye – It’s Been a Long Time – Jealous Lover – Mean Mean Ways – Rattle Me – Miss Rachelle – Tell One – Oh Mamma – Please Don’t Go – Suzie Lee – Wild Side of Life – One Last Chance

Holy cow! That’s what I call Rockabilly. Roy Rapid and the Rhythm Rock Trio are a hot young Rockabilly quartet from San Diego, California formed in 2010. They are, on this record, Christopher Soltero, (Vocals & Rhythm Guitar), Benjamin McCarthy, (Lead Guitar), Joshua Johnston, (Upright Bass) and Fernando Hermosillo, (Drums). It’s a rare pleasure to hear this music played with so much spontaneity. They really live it instead of trying to recreate it like so many others and it shows. They sound like a cross between the early Big Sandy and the Fly-Rite Trio and Rip Carson, but to tell the truth, it wouldn’t be fair to compare them to other bands as they have their own sound. And icing on the cake, 15 songs out of 16 are originals penned by the band, the sole cover being Hank Thompson’s Wild Side Of Life. They are wild when needed, but not too much, they can play ballad and they also know their hillbilly roots.
Highly recommended!

Fred “Virgil” Turgis

‘I Fought the Law’

(Sonny Curtis)

Original by The Crickets

Sonny Curtis was the guitar player for the Crickets. After “Rock Around With Ollie Vee” for Buddy Holly (also covered by the Stray Cats) he wrote this rebel anthem in 1960. In 1966, Bobby Fuller made a hit with this song and the Clash covered it on their debut album. It’s probably this version more than any others that inspired the Stray Cats.
They recorded it first in 1988 during the Blast Off sessions. It didn’t make it on the album but appeared as a b-side for Bring It Back Again.
In early 1993, they then recorded a second, and slicker, version at Virgin Convent Studios in Los Angeles for the band’s final album “Original Cool”.
The 1988 version though lesser known  is far superior.
The song was first played on stage on September 12, 1988 in Santa Clara, California and was regularly played on stage.
(see Bring It Back Again for releases).

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