Virgil

Arty Hill & the Long Gone Daddys

Arty Hill
Arty Hill – Back on the Rail

Arty Hill & the Long Gone Daddys – Back on the rail

Cow Island Music CIM12 {2005}
Living on the Road Again – Jackson Shake – Me & My Glass Jaw – Big Daddy’s Rye – I Left Highlandtown – Based on Real Life – It Ain’t Working – Drifting In – Back On The Rail – I Ate Through the Jail -Tammerlane – When The Sparks Come Falling Down

First issued in 2005, Arty Hill’s debut album is now reissued by the fine folks at Cow Island, and it’s a nice addition to their catalog that already counts The Starline Rhythm Boys, The Dixons, Nate Gibson, Lil Mo in their rank.
On this entirely self-penned album, this three piece band (accoustic rhythm guitar, twangy lead guitar and drums) mixes with success straight Honky Tonk (Me & My Glass Jaw, Drifting In), uptembo numbers with a good dose of rockabilly (Big Daddy Ryes, It Ain’t Working and I Ate Through The Jail based upon a Scotty Moore kind of guitar lick.), and country ballads with solid and intelligent lyrics.
Musically, they are a very cohesive trio : Arty has the perfect voice for that kind of stuff that reminds me a bit of Cam Wagner from Jimmy Roy’s Five Stars Hillbillies (by the way what happened to Cam?). Dave Chappell’s telecaster embellishes the tracks with tasty licks, his guitar talks, answers to Arty, makes you cry, man ! this piece of wood is alive. Last but not least, Craig Stevens. There’s no need of flashy drumming for this kind of music, Craig’s style is spare but efficient and fits completely with the rest.
This is what country music should be : real music by real people for real folks.
Available here.

Fred “Virgil” Turgis

Arty Hill - Montgomery on my Mind
Arty Hill – Montgomery on my Mind

Arty Hill & the Long Gone Daddys – Montgomery On My Mind

Cow Island CIM015 {2009}
Church On Saturday Night – Pan American – I Can’t Help It – I’m A Long Gone Daddy – Don’s Bop – Lovesick Blues – Take This Chains From My Heart – Montgomery On My Mind

Coming from Cow Island your finest purveyor of today’s true country music and Arty Hill comes this tribute to one of the greatest songwriter of all times: Hank Williams. And one couldn’t imagine a better band to do this than the one called the Long Done Daddies, don’t you think?
The good thing is that they never try to recreate Hank’s sound. They play Williams songs their own way. “Pan American” is driven by a hot fiddle (played by guest Patrick McAvinue) echoed by a solid dobro, for a very “bluegrassy” result. Their take on “Lovesick Blues” is in the same vein, almost all acoustic.
I couldn’t believe you could bring something to the near perfection of “I Can’t Help It”. But Arty Hill did, and as incredible as it may sound, it seems evident. They muscle “I’m A Long Gone Daddy” and turn it into a rockin’ number. More surprising (but a good surprise), they apply the same treatment to “Take These Chains From My Heart”.
Another proof of their talent is the three originals they wrote that perfectly blend with Williams’ songs. “Church On Saturday Night” is a tribute to the glorious days of Country Music and the Grand Ole Opry. With lyrics like “Now they can take the Opry / Make it slick and loud / slap it on a T-shirt and sell it to the crowd / but that don’t make Country” you’re sure that this culture is in good hands (and I bet Dale Watson would have loved to write such lyrics).
“Montgomery On My Mind” is a beautiful love songs that takes place in Montgomery, hometown of Williams and “Don’s Bop” is an instrumental tribute to Don Helms, steel guitar player in the Drifting Cowboys.
Hank would sure be very proud.
Available here.
Fred “Virgil” Turgis

Slick Andrews

Slick Andrews - Let's Beer It Up
Slick Andrews – Let’s Beer It Up

Slick Andrews – Let’s Bear It Up With…

WH07003.Wild Hare Records {2007}
Beer It Up /Queen of the Honkytonk /Shot Down in Flames /Three Old Friends /Cut Out The Drama /Love’s Last Note /World’s Greatest Lover /Whisper You Love Me/Millionaire /Dance Floor Romance /The Dues This Fool Has Paid /She Drives Me Crazy
Howdy all y’all… gather around folks and listen to the good ol’ Long Tall telling you the story of a country boy comin’ from Texas. That son-of-a-gun hard corn liquor drinker, smoker and look alike Hank Penny Slick Andrews was layin’out one night with a bunch of purdy nussin’ honky-tonk angels, sittin’ snug as a bug and relaxing in his regular juke-joint listening to some tear jerking honky-tonkin’ song on the juke-box while drinking his favourite long-neck boozin’n’fresh beer. Then in this place hotter than a June bride, the walking on a slant cow-boy suddenly stood up like he was hittin’ by lightning (a white one of course) and yell “You’re Darn Tootin’, that stuff’s so good it makes you wanna jump up and slap yo’ mama!” I wanna be a singer and play some honky-tonk and hot hillbilly jumpy as a long tailed cat in a room full of rockin’ chairs. I wanna sing some songs about beer, honky-tonk angels, dancin’ and love ». The rag-babies as surprised as if a sheep had bit ‘em stare at Slick like he‘s mad as a mule chewing on bumblebees while he was running out of the joint like the house is afire and jumpin’ in his car to drive pedal to metal until he hit the Wild Hare Records building…

Well, I’m not quiet sure this is the way it really happened but it easily could had been, so much that dude sounds and looks like he’s comin’ right from the late forties-early fifties in a Time Machine. Slick is bringing with him some great self penned hillbilly, western-swing, honky-tonk and rockabilly songs and a first class rockin’ band called “the Wild Hare Millionaires”(Buck Stevens, John Bozarth, Eddie Macintosh, Dave Moore, Mark Pettijohn).As me you will surely love all of these “a little bit of everything” 12 songs in a “Let’s Beer it Up” album full of rolling piano (the eponymous song), twangy (“Shot Down in Flames”) and rockabilly guitar (“Cut Out The Drama” and the very soundalike Johnny Horton “Dance Floor Romance”) steel-guitar in a tearjerkin’ honky-tonk style (“Three Old Friends”, “Love’s Last Note” and especially “Whisper You Love” which reminds me of Hank Williams), slappin’ bass (the “Millionaire” instrumental) wild screams and rockin’ drums (“She Drives Me Crazy”) and, indeed, western swingin’ sound (“World’s Greater Lover”). I’m sur the old Hank would have agree with me to say “I got a hot rod Ford and a two dollar bill and I know a spot right over the hill there’s Slick ‘s band and the beer is free so if you wanna have fun come along with me….

Long Tall David

Al Foul

Al Foul - the one and only
Al Foul – the one and only

Al Foul – The One & Only

Rock’n’Roll Purgatory RRP009
Flat Broke – Oh My Lover – Gonna Be A Fight – Wanted Man – Ruthless Information – Singing The Blues – 10 Bucks – Lonesome Tears – Bo-Wang – Ever Been Hit By A Flying Saucer – Dropping Quarters For Jane – Rock Island Line

Being unable to say “yeah” without loosing a beat when I play drums, I’m kinda fascinated by the one-man-bands. Recorded totally live (except for one song, Wanted Man, that have a guest fiddle) with raw and powerful sound, Al delivers a fine collection of Rockabilly-Blues-Country tunes. Apart from his voice, a powerful and soulful growl, Foul’s strength has to be found in his lyrics. In “Flat Broke” he explains the good side of being a one-man-band : “There ain’t no use in me having a band anyhow / just a couple guys I got to learn to pay somehow / 50 dollars divided three ways”. Money, or the lack of it, is also the theme of “10 Bucks” where the poor guy finds himself hanging on the telephone and telling lies to his girl to get 10 bucks cause “10 bucks will get me two six packs and a half pint of old crow”. But the best tune, one that has an immediate addictive effect is “Dropping Quarter For Jane”. This “romantic song” tells us about the singer’s love for… a peep show dancer. The one man band format isn’t a musical limit (like often) for Al, as the songs’ structures are diverse and sometimes rather complex. Add to the mix a couple of covers like Burnette’s Lonesome Tears, Endsley/Robbins’Singing The Blues and the traditional Rock Island Line and you have one hell of album.

Read more and listen to soundclips at www.alfoul.net
Fred “Virgil” Turgis

Al Foul – Keep the Motor Running

alfoul-keepKeep the Motor Running – I Wanna Know – The D.A.W.N.- Baby Clothes and Dishes for Sale – Been Through This Before – Memphis – Phoenix – Bring Me a Little Water Sylvia – Call Me When You Get to Dudleyville – 3 O’clock in the Morning

There are quite a few one man bands out there but Al Foul is one of my very favourite. Actually if you keep the late Hasil Adkins aside, he’s on top of my list. I dig his mean vocals combined with dirty guitar and hypnotic beat (or is it hypnotic vocals, mean guitar and dirty beat, you’ll be the judge).
In fact it would be a mistake to attach too much importance to the one man band format – it’s only the vehicle he chose to express his art – and you’d miss the main point: the songs. They’re always original, varied, melodic and surprising. And this guy really can craft lyrics that are like little slices of life. Songs like Baby clothes and dishes or Phoenix are not that far from the poetry of one Sam Shepard.
But the poetry doesn’t prevent it from being a great rock’n’roll album and his cover of the Skiffle classic “Bring A Little Water Sylvie” is totally insane and is a breath of fresh air for all those who, like me, thought that crazyness in Rock’n’roll had died with Lux Interior.

 

Adam and his Nuclear Rockets

Adam and His Nuclear Rockets
Adam and His Nuclear Rockets

Adam and his Nuclear Rockets – Little Piece of Souvenir

El Toro Records ETCD 6041 {2009}
Call Shout Scream – Can’t Run Away From You – Blue For A Day – I Gotta Have You – All You Left Behind – Crazy legs – Your First Kiss – No Other Baby – Say No More – Park Outside – Little Piece Of Souvenir – Fear – El Toro Star – I’m Gonna Take My Baby Dancing – I’m Crazy (Alt)

Adam and His Nuclear Rockets (what a name!) are a hot traditionnal rockabilly band coming from Croatia. It’s very good to see that bands from all around the world carry on the torch of good old music. Each adding his bit to the history. Back to the band. Recorded live at the famous Lightning Records in Berlin, these 13 originals and 2 covers have everything to please any true rockabilly fans: wild songs but a sense for catchy melodies, great guitar licks and their lyrics ain’t bad (they are included in the booklet). Three songs feature a steel guitar adding a nice hillbilly boogie feel. I personally think you can judge the talent of a band in their way to write ballads. With “Little Piece of Souvenir”, on which they are helped by the harmony vocals of the Mellow Men, they easily pass the test. Another song (El Toro Star a tip of the hat to their label) has a slight Charlie Feathers feel (with hiccups) but they have their own sound and way of playing. Follow these guys closely. Also available as a beautiful gatefold lp.

Available at cdbaby.
Fred “Virgil” Turgis

Accelerators (the)

the Accelerators - Let's Turn It Up
the Accelerators – Let’s Turn It Up

The Accelerators – Let’s Turn It Up

SDSMCD2010 {2010}
Gonna Be With You – Sugaree – Donna The Prima Donna – Blue Days Black Nights – Let It Roll – Had To Let You Know – She Moves Me – Pretty Baby – Real Wild Child – Early In The Morning – Sleepwalk – Little Suzie

This is already the fourth album from this Scottish quartet. “Let’s Turn It Up” kicks off with the Buddy Holly tinged “Gonna Be With You”, penned like every originals of this album by lead singer Steve Smith. Next is a set of solid cover played tastefully with “Sugaree” on which they’re joined by Billy Young on saxophone, Dion’s “Donna The Prima Donna” (nice doo wop backing vocals on this one) and Holly’s “Blue Days Black Nights”. Billy Young returns on Smith’s “Let It Roll” and adds his juicy sax to this Rhythm’n’Blues number. Excellent, but with 1’57”, a bit frustrating. “Had To Let You Know” is an italo doo-wop number perfectly sung by Smith.
“She Moves Me” is another original under the influence of Holly with its strong melodic lines, and also makes me think of the Memphis Rockabilly Band. “Pretty Baby” is a straight ahead rocker quickly followed by “Real Wild Child”. Bobby Darin (and Buddy Holly too) “Early In the Morning” is given a hillbilly treatment with Jim Hyndman guesting on fiddle. As a huge Brian Setzer fan, I firmly believed I couldn’t hear “Sleepwalk” anymore, but Dave Burnette brings something really neat into this tune and has a good idea to keep it short and not using it as just a demonstration of his skills. After that let’s all rock with “Little Suzie” to end this platter on a high note. As you can see a very good and varied album. Nice one lads.
Fred “Virgil” Turgis

 

777 (Triple Seven)

777 Ghost Train
777 Ghost Train

777 – Ghost Train

PART-CD 689-002 {2012}
Leave It Behind – Sexafull – Rebel Yell – Ghost Train – Radar Love – Boys Who Dance – Summertime Souvenir – Last Night – Tachycardia – Chernobilly Twist – Come Together – The Woodpecker Song

Ghost Train is the brilliant second album from this German trio. In 2009 Unleashed their debut album was full of promises; it’s nothing to say that Ghost Train confirms all the hopes placed into that band. For this record they benefit of a better production with a fuller and a bigger sound that blasts through your speaker like a rocking thunder. Their music sounds like a mix between Brian Setzer 68 Comeback Special, the Reverend Horton Heat and the Quakes, with elements of Chicago Blues, metal (ah that powerful guitar on the Beatles’ Come Together), latin beat, twisted western soundtrack (Ghost Train), country jazz (Woodpecker Song) and surf with a Russian beat (Chernobilly twist). The choice of the covers is very good too (Billy Idol, Golden Earring, Beatles, Andrew Sisters). Highly recommended.

777 Unleashed
777 Unleashed

777 – Unleashed

PART-CD 689.001 {2010}
My Guitar – Riff Raff Daddy – Boundless Life – Don’t You Dare – Fulltime Jerks – Gamble Maniac – J.O.P. Lady – T*ttenf*ck – No Eye Stays Dry – Spoiled Generation – Don’t Look Back – Kill Tomcat

Bo Diddley once sang “You can’t judge a book by lookin’ at the cover” and he was wise. Keeping that in mind I put the debut long player of 777 (Triple Seven) in the player despite a cover design that first gave me a negative feeling. Boy, was I wrong! This album is excellent. These three boys come from Germany and play neo-rockabilly as if they invented it. They write their own material and they’re pretty good at that. Sure, maybe one song or two lack of originality but I’ll always prefer a rock’n’roll band that writes his own stuff rather than hearing the classics covered again and again.
Brian Setzer and the Stray Cats are obvious influences on the trio. But “influence” doesn’t mean “carbon copy”. The trio brings enough of its personnality, and sometimes even a pop sensibility, in the mix to develop a sound of their own. Nikolai Potter is a strong singer and a very good guitar player too and he’s perfectly supported by his two partners in crime, Oliver Leggewie on drums and Franz Stiegemann on double bass. A very good surprise.

Fred “Virgil” Turgis

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