Virgil

Shakin’ Snakes (the)

Shakin’ Snakes (the) – Showdown

Mystic Records – M745135 [1984]
Showdown / Billy Club

Shakin’ Snakes (the) - Showdown

The Shakin’ Snakes were Scott Sheperd on Drums, John Jorgensen on vocals and bass, and Jeff Ross on vocals and guitars.
Ross is known for his stint with Rank & File and Candye Kayne, and he also appears on Levi Dexter’s Pomp. This single was the debut of Jorgensen on record, but his credits now include, on guitar, Levi Dexter, The Hellecasters, The Desert Rose Band, Marty Stuart, and many more.
In 1983, the band appeared on the (Art Fein Presents) The Best Of LA Rockabilly with the track Surrender. Then they recorded this single.
Side one is credited to Ross, and side two to Jorgensen. I guess each sings the song he wrote.
Showdown is rockin’, yet with a very strong pop edge and a modern production, more along the lines of the Rockats’ Make That Move. The flip is a no-nonsense rocker.

Fred “Virgil” Turgis

T-Bear & The Dukes of Rhythm / & the Bones

 
T-Bear & The Dukes of Rhythm – Let The Sweet Talk Flow…

El Toro Records R&B 205
Boogie And Soul – Lipstick Woman – Please Love Me – Don’t Touch Me Baby – That’s What the Blues is all About – Do You Think I’m Wrong – Let The Sweet Talk Flow – T-Bear Blues – She Moves Me – Barefootin’- Baby Please Don’t Lie to Me – You’re Gonna Need Me

T-Bear & The Dukes of Rhythm - Let The Sweet Talk Flow

This 8-piece combo (3 saxes, piano, bass, drums, guitar and an excellent blues shouter) comes from Sweden and knows how to play rhythm’n’blues for sure. And the five originals written by T-Bear prove they can deliver solid originals too. They have roots in the 40’s and the 50’s but they are not a retro band. The global sound has a modern edge and would please fans of The Fabulous Thunderbirds and Little Charlie and the Nightcats as well as fans of T-Bone Walker. They don’t hesitate to make incursions into the 60’s and add a bit of soul in their groovy music for the pleasure of your ears and your feet. You’ll also find swamp pop (Dont Touch me Baby) a very danceable funky number (That’s What the Blues Is All About), and a Chicago blues with soul (You’re Gonna Need Me) closes this fine album. Highly recommended.


T-Bear & The Dukes of Rhythm – Broadway Twist

Self-released
Hippie Creek Lady – Broadway Twist – Girl You’re Electric – She’s My Woman – Stumble Back To Go – It Takes Time – Buzz You All Night Long – Hard To Believe – Come Back Baby – Don’t Leave Your Heart Behing – Meanest Girl – Boogie Contest

The best post-war blues album I’ve heard in ages. T-Bear & The Duke Of Rhythm’s newest album is the perfect follow-up to “Let the Sweet Talk Flow” with the sole exception that it’s even better. With the same line-up (plus the addition of Arne Fjeld Rasmussen on harmonica – and what harmonica!) they deliver twelve self penned songs with a strong 60’s blues filled with soul feel. No filler, all killers. I particularly enjoy the presence of the Hammond B-3 on almost all of the songs of this album. It’s very hard to resist to dance and party to the sound of “Hippie Creek Lady”, “Boogie Contest”, “Girl You’re Electric” that’ll please the fans of Rick Estrin and Little Charlie Baty and the best of all “Broadway Twist” – an instant classic – that leaves you exhausted. You’ll then relax with the slower “Stumble Back To Go”, “Hard To Believe” and the fantastic soulfull ballad “Don’t Leave Your Heart Behind”. T Bear is equally at ease with fast paced numbers than with slower tunes on which his deep voice makes wonders. If you dig the King (Albert, Freddie, BB) and modern artists like Nick Curran and Jimme Vaughan you won’t wait any longer to get a copy of this cd.


T-Bear & The Bones – Ice Machine [2013]

Intro: To Be Continued… – Why Don’t You Stop – Same Ol’ Tricks – Ain’t Gone ‘n’ Give Up On Love – Ice Machine – Let Me Love You – Things Ain’t Like They Seem – Choke Dog – Hard To Believe – Come Back Baby – Church Blues

Things have changed a bit for T-Bear since his latest release. This new album sees the band without the horn section but still with a Hammond B3 organ (hence the new name). For the rest the band stays true to its main inspiration namely the Kings (Albert and Freddie), Albert Collins and Luther Allison. The B3 organ is a nice addition and reminds a bit of Jimmie Vaughan’s Tilt a Whirl band. There’s a majority of originals, that alternate rhythms, moods and styles (I dig the funky Ice Machine) and a couple of well choosen covers from Stevie Ray Vaughan and Willie Dixon.


Fred “Virgil” Turgis

Whiskey Daredevils (the)

Whiskey Daredevils

Whiskey Daredevils (the) – Old Favorites

Straight Edge – Wasted -. Skulls – I Don’t Care – The Shah Sleeps in Lee Harvey’s Grave – God Save the Queen – Beef Bologna – Six Pack (To Go) – Ha Ha Ha – Immigrant Song / Pay to Cum – Love Me Like a Reptile – Step On It – It’s a Long Way Back – Let’s Lynch the Landlord

Whiskey Daredevils

When a music act records an album of cover songs, their effort usually suffers by comparison. It doesn’t matter how successful the group may be or how technically polished their sound is. Inevitably, the new tunes end up lacking that certain something, a spark that makes their predecessor far superior. At least, that’s what I thought, until the Whiskey Daredevils came along.Old Favorites is an appropriate name for the Whiskey Daredevils’ third release. Although an album of punk standards and classic rock cover tunes, the Daredevils have successfully reshaped each number into their own unique brand of rock ‘n’ roll. The disc’s first track, a remake of the Circle Jerks’ “Wasted”, is a perfect exhibition of the Whiskey Daredevils’ cowpunkabilly hybrid sound. Imagine Marty Robbins using the Ramones for his backing band and you get the idea. A redo of the Misfits’ “Skulls” showcases lead singer Greg Miller’s plaintive vocal in front of a somewhat relaxed tempo (for these guys, anyway), while “Beef Balogna”, a raunchy rocker, drips in enough filth to make one feel the need to take a shower after listening to it.“God Save the Queen”, a mellow, Spanish guitar-backed version of the Sex Pistols classic, is one of the album’s hidden gems—and a song that I overlooked in my initial listen-to. Simplistic yet intricate in its delivery, this rendition took me back to a time when I frequently attended flamenco performances at a Spanish restaurant in Scottsdale, Arizona. I could imagine Anna, a tall, dark-complected beauty, clapping and dancing with the Daredevils playing in the background.On opposite ends of the musical spectrum, the Whiskey Daredevils give Hank Thompson & Black Flag’s “Six Pack to Go” the lounge act treatment—and, in the process, make lounge music enjoyable—while also displaying their versatility with “Ha Ha Ha”. I love this version of the Flipper number. It’s loud, it’s bawdy and it’s just plain fun. “I Don’t Care” combines the punk rock credo—hence the title—with blues-heavy guitar, making this rendition of the Black Flag classic one of my favorite songs on the album, while “Immigrant Song/Pay To Cum” claims the honor of best song on the disc. The loud punk mash-up of Led Zeppelin’s immortal “Immigrant Song” and Bad Brains’ punk standard features great guitar work from Bobby Lanphier and Dave Bowling. When you pop a copy of Old Favorites into your CD player, make sure that “Immigrant Song/Pay To Cum” is the first track you listen to.
From the Butthole Surfers to Slapshot to Motorhead, from the obscure to the infamous, each artist whose work is represented on Old Favorites is given the proper tribute by the Whiskey Daredevils. Whether it’s rockabilly, pure country, punk or classic rock ‘n’ roll, the Whiskey Daredevils can do it all…and Old Favorites is the proof.

Denise Daliege-Pierce

Juvenile Delinquents

Juvenile Delinquents – Jumpin Around

Tombstone Records – TOMB-DISC 666 [1987]
Jump Around – Glad All Over – Ghost Train – Our Generation – Oeh Ah – She’s Wild So Wild

Juvenile Delinquents

It’s not easy to find pieces of information about The Juvenile Delinquents. The trio consisted of Crazy Eef on guitar, Ome Piet on electric bass and Robert van Driel on drums. They formed in the second half of the eighties and recorded this mini-album in January 1987. Using an electric bass gave them a fuller and more in-tune sound than many. If the Juvenile Delinquents are, musically speaking, a tight little band, one can’t say the same about the vocals that are a bit young.
Anyway, the songs are good, even excellent, like Ghost Train, and they had a good idea to release a mini-album to avoid the repetitions.

Rockats (the) – Psychobilly band

Rockats, not to be confused with the famous American neo-rockabilly band, were a psychobilly trio from Amsterdam. Originally known as a high school band named the Wild Rabbits, the Rockats formed in November 1987 with Martijn Spanteren on guitar and vocals, Arjan de Witt on electric bass and Remko Visser on drums.
After the band split, Remko Visser remained active, playing with Asmodeus.

Rockats (the) – The First Take Off

Tombstone Records Tomb-Disc 671 [1988]
Take-Off – Poor Zombie – Lost City – Lonesome Cowboy – I Hope She Loves Me – Mama – Gone – Don’t Leave Me Alone – Lucy – Prisoner – Screw & Roll – Baby Baby – Rapping Spirit

In May of the following year, they recorded their first album, “The first Take Off”, for Tombstone Records. It contains some good songs, but the global sound is slightly “young” though, like the Juvenile Delinquents, the use of an electric bass gives them a fuller and more precise sound. The main problem is the vocals. The singer tends to overact, and his scratchy voice is a bit annoying in the long run.


Rockats (the) – Keep On Turning

Tombstone Records Tomb-Disc 675 [1989]
Rockats – The Shadow – Rattlesnake – Nightmare – Let’s Go Crazy – Doctor Doctor – Everybody Needs Somebody To Love – Black Sunshine – All I Have To Do – Redlight Woman – Spend The Night With You – Whiskey On The Rocks

rockats keep on turning

One year later, they released “Keep On Turning”, still on Tombstone. This one is way better. It contains a few good ideas like Rattlesnake, a spaghetti western-tinged number, and original arrangements too. Furthermore, the singing shows quite an improvement.


Rockats (the) – The Last Crusade

Tombstone Records Tomb-disc 687 [1990]
Keep On Rock’In – Wanted – 1991 – Satisfied – Seducer – Last Crusade – Break Out – Fire – One Night Stand – Your Eyes – Burn In Hell – Jane

“The Last Crusade”, their third and last album, appeared in 1990. It contains excellent songs like the Seducer, featuring superb bouncing bass.
Other songs slightly departed from their previous release with more aggressive melodies and metal influences akin to the Krewmen of the same period.

The Radioactive Kid

Wild Rooster

Wild Rooster – No Way Out to Hell

Part Records – 693.002 [2013]
King Of Dreams – Angels – On The Other Side – I’m Coming Home – Running Against Time – No Way Out Of Hell – Old Black Joe – Train To Heaven – All I Can Do Is Cry – Rockin’ Little Jill – My Inner Beast – Crying When It Rains

For their fifth album that comes in a superb cover drawn by Vince Ray, these four Swedish Rockers show a slight departure in their sound. If you still find elements of teddy Boy music that was the bulk of their previous album. They have hardened their sound. Thi snew sound, mixed the hoarse voice of their singer, gives a final result that is not that far from Social Distortion or Mike Ness solo stuff


Wild Roosters
Wild Roosters – Take It Off

Wild Rooster – Take It Off

Part Records – 693.001 [2011]
Sweet Revenge / Tennessee Zip / Demon Riders / Fancy Dan / Forever Ted / Ride On Rebels / The Only One / Take It Off / Sisters In Crime / Tore Up / Motorbike / Won’t Waste My Time / Raw Deal / Southern Rose

Despite a very distasteful cover (front and back) I really enjoyed Wild Roosters’ latest effort. These Swedish guys are on the scene for quite some time having played with Snakebite, Crossfire or Wild Bob Burgos. As you can easily guess with this pedigree, they play Teddy Boys rock’n’roll with a sound close to Cavan’s Our Own Way Of Rocking. They have good originals and also give a breath of fresh air to well chosen covers (including Burgos’Ride On Rebels). You’ll find the usual anthems about bikes (Motorbike, Demon Riders), girls and Teds with the soon to be a stage classic “Forever Ted”. They sure won’t change the face of Rock’n’roll, but you’re guaranteed to have a good time.

Fred “Virgil” Turgis

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