Virgil

Rip Masters

rip masters

Rip Masters – The Rockabilly Man / Live At Alvas

rip masters

Wondercap Records WCR 07010 [2020]
Rockabilly Music, Cars And Women – Bare Knuckle Piano – Well Well Well – Big Red ‘57 – Wham Bam Thank You Ma’am – Limousine Daddy – Why Must You Haunt Me – I’m Gonna Walk – Trouble Is Her Name – Cat On The Keys – Don’t Dog This Cat – I Was Born To Rock – A Six Pack, A Pizza And A Cheap Motel – Over The Line – Start At The Bottom – Rock Jitterbop 17. Night Road Drive 18. Pounding The Pavement – Get Right Up – Rockabilly Man – Hey Hey Little Girl

Rip Masters is known for his solo stuff and his contribution to many Rollin’ Rock artists like Ray Campi, Jimmy Lee Maslon, Tony Conn and Johnny Legend.
He recorded this live album in San Pedro, California, with Buzz Campbell (Hot Rod Lincoln, Lee Rocker) on guitar, John Bazz (Blasters) on bass and John Schwartz on drums.
Masters and the band deliver solid and dynamic performance from start to finish. He cleverly mixes piano-led Rock’n’roll and Boogie Woogie with guitar-driven rockers. The moods are varied too, and leaf through the catalogue of American music. From the piano-pounding Bare Knuckle Piano to the atmospheric Why Must You Haunt Me (some kind of gloomy Chris Isaak) or the melodic Trouble Is Her Name, the threatening Night Road Drive and of course his classic Rockabilly man, he runs through the whole gamut of the Rock’n’roll emotions.

Fred “Virgil” Turgis

Tom Hammel

tom hammel

Tom Hammel – Steelin’ Crazy Rhythm

Self released [2020]
Four Steps West – Out of Odessa – Tenderly – Cherry – Crazy Rhythm – Si Tu Vois Ma Mere – It’s All Your Fault – Mission to Moscow – When Sunny Gets Blue – What Is This Thing Called Love? – Steelin Home – Willow Weep for Me

Tom Hammel, the steel guitarist on Slim Sandy’s latest album, also released a solo album.
He gathered a set of stellar musicians, including Paul Pigat on guitar, Jeremy Holmes on upright bass, James Badger on drums, and icing on the cake, Canada’s sweetheart of Swing, the great Alex Pangman who sings Cindy Walker’s It’s All Your Fault. She already recorded this song for one of her solo albums, but this is a new version, with steel to the fore.
Besides this song, it’s an all-instrumental album.
It mixes jazz standards (King Cole’s When Sunny Gets Blue, Billie Holiday’s Willow Weep For Me) with western swing classics. Songs like Crazy Rhythm or Mission To Moscow, are not strictly speaking western swing tunes but have been popularized by Wills’ Tiffany Sessions.
The set is also really well built. Hammel alternates hot stuff on which he and Pigat trade licks like crazy with dreamy and reflective tunes (Tenderly) and mid-tempos (What Is This Thing Called Love) on which Hammel dialogues with himself, playing steel, guitar and accordion.
The arrangements are always innovative, like the accordion that echoes the steel on Sydney Bechet’s Si Tu Vois Ma mère.
It’s very well-produced and reminded me of the quality of Noel Boggs Quintet’s Magic Steel Guitar.
If you like albums like The Hot Guitars of Biller and Wakefield or Guitars in Perspective by John Munnerlyn and Lee Jeffriess, you can buy this one with confidence.
Grab a copy at https://tomhammel.bandcamp.com/releases

Aaron and the Beaux Ties

Aaron and the Beaux Ties – El Matador

Aaron and the Beaux Ties

Vinylux V0012 [2021]
El Matador / I Walked All Night

Aaron is Aaron LeBeau, son of Wendy and Lance LeBeau (Flea Bops). The less that you can say is that Rock’n’Roll runs in this family’s blood. The Beaux Ties are, of course, Wendy on bass and Lance on drums.
Side one is a mean garage instrumental and is an original tune, not to be confused with the Paladins tune of the same name. One can hear the influence of the great Link Wray with the appropriate Latin feel.
The B-side is a cover of the Embers’ I Walked All Night. It was penned by Hargus “Pig” Robbins, also known as Mel Robbins of Save It fame. Wendy sings it perfectly with detachment and lascivious arrogance.
It’s raw and primitive Rockabilly with a strong garage feel. Just when I thought that this song would have been perfect for The Cramps, I remembered that they had covered it on Big Beat From Badsville. Aaron and the Beaux Ties’ version is excellent and has nothing to envy to any other version.
I hope to hear more from that young fellow soon.

Buy it here.

Fred “Virgil” Turgis

The Starjays

starjays

The Starjays - Bang! It's the Starjays
The Starjays – Bang! It’s the Starjay

The Starjays – Bang! It’s the Starjays

Rhythm Bomb – RBR5828 {2016}
Who Do You Love The Most? – The Right Girl – Flat Broke – I’ll Wait – Nobody Loves You Like Me – My Wild Girl – Cadillac Of Woman – Keep On Talkin’- One Quick Stop – What’s Gone Wrong? – Turn Down The Lights – Tintarella Di Luna – A Sin Comin’ On – Get Closer

Led by Roy Kay (the Roy Kay trio\Combo, the Margraves) and Angela Tini (Angelatini and the Trebblemakers) and featuring the talents of piano wizard Carl Sonny Leyland, Marshall Scott Warner on drums, Tony Laborie on double bass, Sean Jensen on sax and Mike Geglia on guitar (also from the Roy Kay trio connection), the Starjays are a hot combo that plays rhythm’n’blues and rock’n’roll (and I mean real Rock’n’roll) with, for a song or two, a slight 60’s feel. They reminded me of the Jive Bombers, the excellent and now defunct Austin based band that featured Shaun Young.
Roy Kay and Angela Tini share the vocal duties (solo or in duets) which brings a lot of diversity to this album. As she is probably lesser known than her partner Roy Kay who have quite a few albums under his name, I have to sing here the praise of Miss Tini’s voice who manages to be powerful, subtle and dare I say a bit naughty (Get Closer), all that with a Ruth Brown vibe. Other names come to mind, but it would reduce Tini’s own personnality that is present here from start to finish (understand “she has her own voice and she is no impersonnator”).
All songs but two are originals penned by Kay and Tini. It’s very well produced, recorded, sung (I’ve already said that, but better twice than never) and played, each solist having plenty of room to express himself.
And icing on the cake, it comes in a nicely designed digipack .

The Starjays – Jump With…

starjaysVLV Records [2021]
That’s Love – Tomorrow Will Come – Prove My Love – I Can’t Stop – I’m Stuck – You’re For Me – Late At Night – Say What You Mean – Somehow, Someway – Is It Murder – Makin’ Me Hungry – Calling Out To You

I won’t try to fool you and create fake suspense, The Starjays return with a second album, and it’s as good if not better than the first one. Roy Kay (Roy Kay Trio/Combo, the Margraves, The Ember Brothers) and Angela Tini still lead the band and share the vocal duties, either solo or duet. Kay also plays tenor and baritone saxophone. Having two vocalists brings a lot of diversity, and their voices are very complimentary. Most of all, Kay and Tiny have strong flexibility in their voices. Hence, their repertoire can go from hot Rhythm’n’Blues/early Rock’n’Roll to soulful ballads or pure dancing ditties. They’re helped by a selection of very catchy songs and cleverly mix tempos and moods, from the lighthearted to the very dark.
The rest of the band features Robin Cady (also from the Roy Kay Trio) on bass, Eddie Martinez on drums, John Olufs on guitar, and Robert Lee Mitchell on piano. Each does a terrific job, and together, they constitute a very well-oiled jumpin’ machine.
Jump on this record, then jump with the Starjays!

Fred “Virgil” Turgis

Kyra

Kyra – Kyra sings Marieke

Vinyl Japan – PAD 38 [1998]
Marieke / Die Wonderlijke Dag (This Wond’rous Day)

In 1998, Kyra, without the Headcoatees, released one single titled Kyra Sings Marieke on Vinyl Japan. She was, of course, backed by Thee Headcoats, namely Billy Childish, Bruce Brand and Johnny Johnson.
Marieke, the title track was lifted from her solo album (Here I Am, Here I Always Am) and is a cover of Belgian singer Jacques Brel (Kyra comes from Belgium, by the way). She sings it with passion, and the tension goes crescendo until the end of the song.
The B-side is a Childish original (This Wondrous Day) that Kyra translated into Flemish (Die Wonderlijke Dag). It’s one of their best songs, both for Childish, the songwriter and Kyra, the singer. It’s sad and beautiful at the same time, a song that sounds like a traditional tune and seems to exist for decades. The musical saw reinforces the gloomy aspect, while the Flemish language adds a vernacular aspect. But most important, Kyra, who was too often reduced in Thee Headcoatees as the “Punk element”, can sing in a self-assured manner, without too much effect. Great!

Go Cat Go

go cat go


Go Cat Go – Let’s Hear It Once Again for…

Go Cat Go - let's hear it once again for

Vinylux V0002 [1999]
Good Rockin’ Tonite – Little Baby Doll – Please Mama Please – Mystery Train – Flyin’ Saucers Rock n Roll – ‘Til the Cool Cats Cry – Just Because – Can’t Tie Me Down – Blue Days Black Nights – I’ve Got My Eyes on You – Time to Rock – Forever’s Much Too Long – Other Side of Town – Who Was That Cat – Milkcow Blues Boogie – Reconsider Baby – Lonesome Road – Big Train – Ten Ways to Rock – Drugstore Rock n Roll – Hot Rod Man – Stockins and Shoes – Blue Moon of Kentucky – Pink and Black – Tell Me Why

This CD compilation was released shortly after the single. I place Go Cat Go very high in my own Rockabilly pantheon, so you won’t be surprised if I tell you that this CD is an absolute must-have.
One will find two early recordings from March 1990, Forever’s Much Too Long and Time To Rock. Forever is, for me, one of Spears’ best moment. The array of subtleties that you can hear in his voices is simply amazing (I have to confess that I’m always moved and almost bursted into tears when I hear the line ‘Why can’t I be the one you love Instead of just your in-between’. Considering that Freeman had only joined the band three months before the recording, it only adds to the thing’s beauty.
This compilation also contains the 10″ recorded for Willie Lewis in April 1991, the single and three more tracks from the Sun session (Flyin’ Saucers Rock’n’Roll, Til The Cool Cats Cry, Blue Days Black Nights), and twelve live tracks. These songs – mostly Rockabilly classics – demonstrate that Go Cat Go was a fantastic live band. They also confirm that Darren Lee Spears’ songwriting could stand proudly next to classics like Blue Moon of Kentucky, Mystery Train or Drugstore Rock’n’Roll, to name but three.
The booklet contains a complete history of the band written by Wendy LeBeau.

Go Cat Go – Please Mama Please

Go Cat Go - Please Mama Please

Vinylux V0001 [1999]
Please Mama Please / Who Was That Cat


During one of their tour, the band stopped by Sun Records in Memphis and recorded six tracks. These two songs come from that session and were released after the tragic death of Darren Lee Spears in 1993.
Both Please, Mama Please and Who Was That Cat are two instant classics. They contain everything that made Go Cat Go one of the very best Rockabilly bands of the nineties. Only Big Sandy and the Fly-Rite Trio and High Noon reached that level. Darren Lee Spears had a fantastic voice. It reminded me of Elvis, not for the tone, but for the extreme facility he had to sing and his wide vocal range. Spears also knew to dose his effects. The hiccups he placed were rare enough to have an impact. He also was a double threat for not only he was a fantastic singer, but he also was a highly talented songwriter. The song he wrote always sounded as if they came straight from the Fifties but remained originals at the same time. Such a talent could have been waste with an average band. Thanks to the Rockabilly gods, it was not the case. Hull was a gifted guitar player that mixed Scotty Moore and Cliff Gallup, and the team formed by Freeman and Lebeau was the perfect Rockabilly rhythm section.

Go Cat Go – S/T

Rock-a-Billy Records R-301-LP [1992] / Vinylux V0004 [1999]
Little Baby Doll – I’ve Got My Eyes on You – Can’t Tie Me Down / Big Train – Other Side of Town – Lonesome Road

Go Cat Go formed in 1989 with Darren Lee Spears on vocals, Bill Hull on guitar, Lance Lebeau on drums and Paul Turley on electric bass, soon replaced by Brian Freeman on slap bass. In March and April 1991, they recorded these six songs, and Willie Lewis released this ten-inch on his Rock-A-Billy label in February 1992 (R-301-LP). The original release (650 copies) had no jacket, and the following year, the band financed the printing of some jackets (designed by Ronnie Joyner) for the remaining 350 copies. It quickly became a collector item, and Vinylux reissued it seven years after its initial release.
Little Baby Doll is the epitome of Rockabilly. Freeman’s propulsive slap bass and LeBeau’s perfect drumming allow Hull to weave a delicate and subtle pattern behind the singer’s voice who equals the best of Elvis and Gene Vincent. All that in two minutes! Likewise, the Other Side Of Town can only be described as rockabilly perfection.
I’ve Got My Eyes On You is a threatening tune with a slight Jack Scott feel. Can’t Tie Me Down is a ballad that allows Spears’ voice to develop all his range and shows echoes of Jerry Lee Lewis in his best vocals moments. Big Train features a harmonica and can be described as Rockabilly Blues. The last song, Lonesome Road, is from the pen of the young Brian Freeman, and one can only regret that he didn’t write more songs.

See also the Flea Bops and our interview Lance and Wendy LeBeau

Check out Vinylux records website.

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