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Starline Rhythm Boys

starlinerhythmboys_liveThe Starline Rhythm Boys – Live At Charlie-O’s

Cow Island CIM011 [2008]
Yellow Jacket / A Dime At A Time / Heartbreak Tennessee / Charlie-O’s / On The Back Row / Life Begins At 4 O’Clock / Wine Me Up / Lonesome On’ry And Mean / Pipeliner Blues / You’re Still On My Mind / One Foot In The Honky Tonk / She Don’t Live Here No More / Dark Hollow / Live And Let Live / Get A Little Goner / Drunk Tank / Playboy / You Can’t Catch Me / That’s Where I Went Wrong / I’m A Lonesome Fugitive / Gotta Travel On / Too Much Fun / Drink Up And Go Home.

The Starline Rhythm Boys – Masquerade For A Heartache

starlienrhythm boys masqueradeCow Island CIM014 [2009]
Masquerade For Heartache / Jive After Five / Trucker From Tennessee / Workin’ Man Blues / Honky Tonk Gal / Red’s Place / A Mess Of Blues / Goodbye Train / I’m Fed Up Drinking Here / Ubangi Stomp

Here’s the cure to the stress of your everyday life and your summertime blues: the hot rockin’ honky tonk swing style of a Starline Rhythm Boys show in your living room! Recorded live at their homebase of Charlie-O’s bar, it features a typical set of the trio mixing classics from Johnny Paycheck, Wayne Walker, Conway Twitty, Faron Young, Chuck Berry, Bill Kirchen… with a couple of band’s own (She Don’t Live Here, Drunk Tank, That’s Where I Went Wrong). Add the presence of Sean Mencher (High Noon) to produce an play second guitar on one track as well as Kevin Maul on steel (both lap and pedal) and you just have to put the cd in the player and let the fun begins.

Masquerade For A Heartache is the perfect companion to Charlie-O’s with 10 more tracks recorded during the same show. Once again it’s very well balanced between originals (Masquerade…, Red’s Place, I’m Fed Up Drinking Here) and covers of Carl Perkins, Merle Haggard, Elvis. This mini album goes from straight Honky Tonk to Rock’n’roll with a good dose of Rockabilly including one of the best version of Ubangi Stomp I’ve ever had the chance to listen to!

You can buy them separately but do yourself a favor and buy both.


the Starline Rhythm Boys - Red's Place
the Starline Rhythm Boys – Red’s Place

The Starline Rhythm Boys – Red’s Place

Cow Island Music CIM05
A Fighting Chance – No Gal Cooks Like Mine – Red’s Place – It’s Anyone’s Guess – (They’re) Cutting Back the Work Force – That’s Just A Thought – The Joke’s On You – Who – The Family Farm – Drunk Tank – Sin & Salvation – Burning A Hole In My Mind – The Old Filling Station – That’s Where I Went Wrong – I’m Fed Up Drinking Here – A Memory of Fred

The Starline Rhythm Boys are a drummerless trio (Danny Coane, acoustic guitar; “Big Al” Lemery, electric guitar; and Billy Bratcher, doghouse bass) that plays in the same league as High Noon (no wonder to find Sean Mencher on the production seat) and Wayne “The Train” Hancock (Billy Bratcher toured with him by the way). But they don’t stick to the trio format and bring a couple of guests to keep things varied and surprising, and most of all highly enjoyable.
Most of the songs are originals written by Bratcher.”A Fighting Chance” is a powerfull slap bass led hillbilly/proto rockabilly (what a guitar too) with harmony vocals. “No Gal Cooks Like Mine” features a fiddle in addition to the steel and praises the simple domestic joys. The title track has more of a late 50’s honky tonk feel with a bit of Buck Owens in it, still with great harmonies, and a superb piano part. Big Al Lemery is not only a wizard on the telecaster, he’s also a poignant singer and proves it on “It’s Anyone’s Guess” a slow number in the vein of “Before The Next Teardrop Falls” with mandolin, fiddle, light snare and pedal steel. “They’re Cutting Back The Work Force” shows once again what a good songwriter Billy Bratcher is, able to write about booze or social issues ( I Got Kids to feed, but there’s no remorse, once they start cutting the work force“) with equal success. “That’s Just A Thought” is a beautiful little hillbilly bop ditty that looks toward the western swing side of things with each members of the horn section taking solos. They turn Jimmy martin’s bluegrass number “The Joke’s On You” into a uptempo rockabilly. Another cover is Little Walter’s “Who“, which becomes a “hillbilly-blues” (and reminds what High Noon did with “Crazy Mixed Up World” on their Texas Style 10″). “Family Farm” is a sad and beautiful waltz with bluegrass accents. Al Lemery wrote and sings “Drunk Tank” a nice hillbilly bop. The honky Tonk “Sin & Salvation“, on a well known theme, is another proof they never falls into facility. They bring modulation and unusual chords. Man that’s good ! Connie Smith’s “Burning A Hole InMy Mind” adds a welcome touch of 60’s country music.On “The Old Filling Station” with simple words (and a beautiful melody) Bratcher paints a melancholic picture (Do you remember when you never pumped your gas/And the man with the Star was a symbol of class). I really enjoyed “I’m Fed Up Drinking Here“, the best song George Jones never recorded. How can’t you love a band that plays right and sings “The Old Juke box that I leaned on/Was a rock for life’s hard knock but now it’s gone/When a man’s mind ain’t clear/ a lack of George Jones is severe“. The set ends with a sincere hommage to a friend of them, Fred, and you can feel both the love they have for him and the personnality of the man, even if you never met him.
Authenticity is not only a matter of music, it’s above all a state of mind. And this guys play genuine country music that speaks to your heart and your feet.
Thank you for that Boys !

Fred “Virgil” Turgis

Fred “Virgil” Turgis

Arty Hill & the Long Gone Daddys

Arty Hill
Arty Hill – Back on the Rail

Arty Hill & the Long Gone Daddys – Back on the rail

Cow Island Music CIM12 {2005}
Living on the Road Again – Jackson Shake – Me & My Glass Jaw – Big Daddy’s Rye – I Left Highlandtown – Based on Real Life – It Ain’t Working – Drifting In – Back On The Rail – I Ate Through the Jail -Tammerlane – When The Sparks Come Falling Down

First issued in 2005, Arty Hill’s debut album is now reissued by the fine folks at Cow Island, and it’s a nice addition to their catalog that already counts The Starline Rhythm Boys, The Dixons, Nate Gibson, Lil Mo in their rank.
On this entirely self-penned album, this three piece band (accoustic rhythm guitar, twangy lead guitar and drums) mixes with success straight Honky Tonk (Me & My Glass Jaw, Drifting In), uptembo numbers with a good dose of rockabilly (Big Daddy Ryes, It Ain’t Working and I Ate Through The Jail based upon a Scotty Moore kind of guitar lick.), and country ballads with solid and intelligent lyrics.
Musically, they are a very cohesive trio : Arty has the perfect voice for that kind of stuff that reminds me a bit of Cam Wagner from Jimmy Roy’s Five Stars Hillbillies (by the way what happened to Cam?). Dave Chappell’s telecaster embellishes the tracks with tasty licks, his guitar talks, answers to Arty, makes you cry, man ! this piece of wood is alive. Last but not least, Craig Stevens. There’s no need of flashy drumming for this kind of music, Craig’s style is spare but efficient and fits completely with the rest.
This is what country music should be : real music by real people for real folks.
Available here.

Fred “Virgil” Turgis


Arty Hill - Montgomery on my Mind
Arty Hill – Montgomery on my Mind

Arty Hill & the Long Gone Daddys – Montgomery On My Mind

Cow Island CIM015 {2009}
Church On Saturday Night – Pan American – I Can’t Help It – I’m A Long Gone Daddy – Don’s Bop – Lovesick Blues – Take This Chains From My Heart – Montgomery On My Mind

Coming from Cow Island your finest purveyor of today’s true country music and Arty Hill comes this tribute to one of the greatest songwriter of all times: Hank Williams. And one couldn’t imagine a better band to do this than the one called the Long Done Daddies, don’t you think?
The good thing is that they never try to recreate Hank’s sound. They play Williams songs their own way. “Pan American” is driven by a hot fiddle (played by guest Patrick McAvinue) echoed by a solid dobro, for a very “bluegrassy” result. Their take on “Lovesick Blues” is in the same vein, almost all acoustic.
I couldn’t believe you could bring something to the near perfection of “I Can’t Help It”. But Arty Hill did, and as incredible as it may sound, it seems evident. They muscle “I’m A Long Gone Daddy” and turn it into a rockin’ number. More surprising (but a good surprise), they apply the same treatment to “Take These Chains From My Heart”.
Another proof of their talent is the three originals they wrote that perfectly blend with Williams’ songs. “Church On Saturday Night” is a tribute to the glorious days of Country Music and the Grand Ole Opry. With lyrics like “Now they can take the Opry / Make it slick and loud / slap it on a T-shirt and sell it to the crowd / but that don’t make Country” you’re sure that this culture is in good hands (and I bet Dale Watson would have loved to write such lyrics).
“Montgomery On My Mind” is a beautiful love songs that takes place in Montgomery, hometown of Williams and “Don’s Bop” is an instrumental tribute to Don Helms, steel guitar player in the Drifting Cowboys.
Hank would sure be very proud.
Available here.
Fred “Virgil” Turgis