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El Toro

Domino’s (the)

The Domino’s – It Don’t Mean A Thing (If It Ain’t Got That Swing)

Big Bang Records BB02
It DOn’t Mean A Thing / Je Suis Swing

On Side A, the group covers Duke Ellington’s “It Don’t Mean A Thing”. This tune encapsulates the spirit of Domino’s well: the violin, inspired by Stéphane Grappelli, blends with a biting guitar in a more Rockabilly style, all backed by a hot rhythm section. The only drawback is that the singer tends to overdo it. We find the same qualities (first-class solos) and flaws (the singing, which would benefit from being more subtle) on their cover of “Je Suis Swing”, a hit for Johnny Hess in 1938.


Domino’s (the) – It Don’t Mean A Thing

El Toro records – ETCD 6097
It Don’t Mean A Thing – I Can’t Be Satisfied – Flyin To The Station Gate – Minor Swing – The Messaround – The Train With A Rhumba Beat – Cuckoo Girl – Trapped In A Web Of Love – Cannonball Rag – It’s A Sin To Tell A Lie – Why Don‘t You – Je Suis Swing – Tornado – Everybody Said – Rhythm In My Bones

Domino's

Patrick Ouchene formed the Domino’s in 1989. The band first started mainly as a rockabilly combo and released their debut album for Rockhouse records in Netherland. By their second album as their tastes changed, their sound evolved covering a wider range of roots music.
This best of is basically their “Minor Things” album (released on Big Bang Records) with a couple of bonus tracks.

To be honest, Duke Ellington’s is not the best song to start with. Ouchene’s vocals is a bit too much but the solist are hot. By the second song, Muddy Water’s Cant Be Satisfied, things get way better. From that point, the whole set range from swing (Django’s Minor Swing), Rhythm and Blues (Mess Around), Rock’n’roll (Rhythm in My Bones), French Zazou music (Johnny Hess’ je suis Swing) and of course Rockabilly (Why Don’t You,  Tornado) without forgetting a fine cover of Johnny Horton’s the Train with the Rumba Beat.
The band benefits from the service of a hot rhythm section (it can, featuring Jack fire of the Wild Ones), a solid lead guitar (and some steel too) and most of all, the band secret weapon in the person of Bernard Vancraeynest  who not happy to arrange some of the songs plays violin, cello, piano and saxophones.
All in all a very pleasant album that I was happy to rediscover with this best-of (and I encourage you to do the same).

Available here.

Same Old Shoes

Same Old Shoes (the) – Gonna Go Bop

El Toro Records [2023]
Gonna Go Bop / Stella Got A Fella

Same Old Shoes

The Same Old Shoes, from Italy, released this single to announce their soon-to-be-released new album.
The A side is a self-penned tune. It is a good rocking’ and bopping’ tune, nothing too exceptional nor very original, but very good nonetheless. More interesting is their cover of The Fireflies’ Stella Got A Fella, which finds them playing with a fuller sound and including some early 60’s influences.

Maibell and The Misfires

Maibell and the Misfire – Fire

El Toro Records ET15163 [2023]
Fire / Hey You

The latest single by Maibel and the Misfire is a total success. It offers two very different and complementary tracks.
Fire is a very rhythmic Rockabilly, which sounds like a modern version of Gene Vincent (the guitar is reminiscent of Cruisin at times)—there is no need to say that the band is particularly hot on this one and takes no prisoners.
Side B is even better. It is a stroller built on a Jazz progression with rich chords and perfectly supported by the brushed snare drum. Maibell’s voice has more room to express itself, and the guitar is superb from start to finish.

Available here.


Maibell and The Misfires - Ride Along!
Maibell and The Misfires – Ride Along!

Maibell and The Misfires – Ride Along!

El Toro ETCD6042
You’re Gonna Miss Him – Do The Stomp – In My Heart – Misery And Heartache – Sweet Love – So Far Away – Without You – Why Do I Love You? – Maybe Just A Little – This Ain’t Going Nowhere – My Kinda Man – Why Oh Why? – Ride Along – Never Been In Love Like This

This quartet comes from Finland and features very well known name on the scene that have played with Mr Breathless, Hi-Fly Rangers, Hayden Thompson Paul Roman, Jussi Syren…
They play fifties rockabilly mixed with a very modern approach with 80’s influences in between which mean that they aren’t afraid to add a good dose of pop ala Smiths in their music. The result is a slap bass driven melodic album (entirely self penned by the band) that sounds very radio friendly and it could easily find its way to the top of the charts like Imelda May did. I must say that it is too polished and lacks a bit of excitement for me. And sometime the rockabilly roots can only be traced by the presence of the doublebass, the other elements being very (and for my own taste too much) poppy.

Fred “Virgil” Turgis

Big Mama Thorton

Big Mama Thorton – Just Like A Dog

El Toro ET15.138
Just Like a Dog (Barking Up the Wrong Tree) – My Man Called Me / Stop A-Hoppin’ On Me – I Smell a Rat

Big Mama Thorton

Big Mama Thornton, and her incredible voice, need no introduction (so I hope). This EP gathers four tracks. On side A, you’ll find the rocking Just Like A Dog (this lady has something with the dogs) and the mellower My Man. The flip opens with the Rumba-tinged Rhythm’n’Blues of Stop A-Hoppin’ On Me and ends with the jungle beat of I Smell A Rat. All songs were recorded with Johnny Otis Orchestra except for Stop-A-Hoppin, which features Burt Kendricks & His Orchestra.

Tiny Topsy

Tiny Topsy – Aw! Shucks Baby

El Toro ET-15.140 –
Aw! Shucks Baby -You Shocked Me / Come On, Come On, Come On (With The Charms) – Miss You So

Tiny Topsy - Aw! Shucks Baby

By no means tiny, Tiny Topsy (real name Otha Lee Moore ) had strong lung power and a voice that could peel off the wallpaper. This Ep gathers her first single from 1957 and two A-sides from her second and fourth singles. Aw Shucks is powerful and features a Ray Felder tenor saxophone solo. You Shocked Me is less exciting and a bit too repetitive.
Things get better with Come On, Come On, Come On, which features the Charms on backing vocals. Miss You So has a solid drive on a slow boogie beat led by the guitar.

Dolly Cooper

Dolly Cooper – Tell Me, Tell Me

El Toro ET15039
My Man – Ay La Bah / Tell Me, Tell Me – Big Rock Inn

Dolly Cooper first recorded for Savoy, then moved to Modern and Dot. The songs from the side A were recorded for Modern and those from the side B for Dot.
My Man is a superb proto Rock’n’Roll that could have been a Bill Haley tune (or vice-versa). Her backing band is Maxwell Davis and Orchestra who also accompanied Clarence Gatemouth Brown, Etta James or Young Jessie. Ay La Bah is more anecdotical, but it features some fine doo-wop backing vocals and a brief but stunning guitar solo.
Tell Me, Tell Me is wild tune with another super guitar part. Same goes for Big Rock Inn which is even wilder, on which the singer gives it all.

Fred “Virgil” Turgis

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