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Various artists – Fury records

V/A – Something To Remember

Fury Records – F3009 [1989]
Something To Remember – Something Shocking / Big Green Car – The Polecats / Lonesome Cowboy – Hot Rod Gang / Rhythm Riot – Jeff Potter / Lonely Town – Draggin’/ Johnny Rides – Lota Red / My Old Man – The Crestlers / She’s Too Way Out – Tony Dangerfield / Lost Souls – Lost Souls / Flat Top – Rockabilly 88 / Little Pretty Baby – Alphabets / Bust Head Gin – The Frantix / You’re The One – The Little Rock Combo / City Bound – Deuces Wild

something to remember fury records

A good compilation that gives an interesting overview of the Rockin’ scene at the end of the eighties.
Something Shocking wrote and played the song that gives the name to this compilation. It’s a very good and efficient Neo-Rockabilly. Likewise, as you can expect, the Polecats deliver an excellent Neo-Rockabilly tune with Big Green Car, an unissued track from the Won’t Die sessions.
Hot Rod Gang brings a touch of Wild West feel with Lonesome Cowboys, whose melody reminds of Funnel Of Love. Rhythm Riot by Jeff Potter is a drum-led instrumental. Lonely Town by Draggin’ is not a bad tune, but it doesn’t offer much to remember (pardon the pun). Lota Red is another German band. Their song is excellent and perfectly recorded. It’s a mid-tempo Rockabilly with a superb double bass sound and a strong Western flair. It’s one of the best tracks of this compilation.The Crestlers deliver an excellent modern Rockabilly track. Tony Dangerfield’s recording dates from 1964 and was produced by Joe Meek. Not surprisingly, it’s another highlight of the album with a mean guitar and a pumpin’ rock’n’roll piano. Lost Souls brings a welcome touch of wild Psychobilly to this compilation. Rockabilly 88, famous for having slap bass maestro Mark Winchester (later bass player for Brian Setzer) within their ranks, play a classic and mighty enjoyable Rockabilly. The Alphabets play Jive and Doo-wop-abilly in the style of the Keytones and the Jets. The Frantix deliver a mean and raunchy Blues song. If you dig the Deltas, this one is for you. Back to traditional Rockabilly with the Little Rock Combo while the Deuces Wild adds a touch of Skiffle and Bluegrass (one can hear hints of Foggy Mountain Breakdown) to their brand of Rockabilly.


Various – I Love My Car

Fury Records – F3002 [1987]
Way Out West – I Love My Car / Rusti Steel & The Tin Tax – Howlin’ / The Nitro’s – Destruction Road / The Sticks Trio – Get Up And Shake It / Rockin’ Rocket 88 – Put ’em In The Oven / The Hilltop Boys – Take A Chance Baby / Niteshift Trio – Don’t Need No Body / Rover Boy Combo – Baby Let Me Show You The Door / The Baskervilles – Inside Power / The Bootleggers – Hey Poor Billy / Oakville Tune Wranglers – Roamin’ Around / The Midniters – Where’s Derek / The Playboys – Desperate Dan

various - i love my car fury records

Fury records released I Love My Car in 1987. It is a more homogeneous compilation than many others released during the same period.
The compilation opens with the title song, played by Way Out West, a superb Rockabilly.
Rusti Steel and The Tin Tax is one of those bands that lean more towards Hillbilly and rural bop, like the Oakville Tune Wranglers, Rockin’ Rocket 88, the latter with fiddle, or the Bootleggers who play with a harmonica and also mix skiffle to their music.
Some groups stand out. Thus, the young Nitros, in one of their first (if not the first) discographic appearances, are already excellent. The sound is raw, but all the elements that will make Nighshades, their first mini-album, a masterpiece, are present.
Many of the groups on this compilation will only make occasional appearances and never release an album (nor a single for some), and that’s a shame. I am thinking of the excellent Sticks Trio. Their song Get Up And Shake is with She’s Just Rockin’, the only musical testimony of the group. It’s too bad because their Rockabilly-Jive, influenced by the Jets and the Keytones, was very pleasant.
The Baskervilles, featuring Pete Turland and Darrel Higham, and their Neo-rockabilly tinged with Psychobilly will make another appearance on a compilation and then disappear.
Another band that is difficult to find information on is the Hiltone Boys. Besides their four-track demo, this is, as far as I know, their only release. Their contribution, Take A Chance Baby, is traditional rockabilly with slight modern accents à la early Restless. Likewise, the Niteshift Trio brings a little neo-rockabilly touch to the ensemble.
The Midniters stand out from the rest of the selection. This is one of the earliest incarnations of the band, featuring a saxophone. Their rock instrumental seems to come straight out of a Hot Rod compilation from the early sixties. Very different from the neo-rockabilly/psychobilly of Easy Money, their debut album.
Finally, the Playboys (with Rob Glazebrook ex Rochee & the Sarnos) conclude the album with desperate Rock’n’roll.

Dave Phillips and the Hot Rod Gang

Dave Phillips and the Hot Rod Gang - Wild Youth
Dave Phillips and the Hot Rod Gang – Wild Youth

Dave Phillips and the Hot Rod Gang – Wild Youth

Rockhouse [1982]
Wild Youth – She Will Come Back – 56 Boys –  Tainted Love – Love Me – My Turn – On The Move – One And Only – Flea Brain – Should I Ever Love Again – Summertime – Baby Blue – Just Can’t Believe – Wow

Having left the Blue Cats in 1980, Dave Phillips took some time off before forming his own band. Still with Gene Vincent in mind he named his new band the Hot Rod Gang after the 1958 movie featuring the screaming kid. The first line-up consisted of John Day and Ray Thompson on guitars, Rob Tyler on drums and of course Dave Phillips on double bass and lead vocals. But it’s the second line-up with Mark Harman from Restless on guitar replacing both Day and Thompson that entered the history of modern rockabilly. Harman was the perfect choice, his fast Gallup influenced licks being the perfect complement to Phillips. The trio recorded Wild Youth in late 1981 and contrary to what the cover reads it’s Tyler on drums and not Andrew Wrightson who was the band’s driver (even on the cd reissue features the mistake).
One can suppose that the label (Rockhouse for both) acted with Phillips the same way he did with the Blue Cats’ second album (with Clint Bradley) hence the presence of many familiar cover in a more traditional style (Flea Brain, Summertime, Baby Blue and the Phantom’s Love Me sung by Harman). But there’s enough modern stuff to make of Wild Youth a benchmark in Neo-Rockabilly history, the best known being their cover of Tainted Love. It’s an instant classic that will have a lasting influence on many young bands.
Essential to any decent collection.

Fred “Virgil” Turgis


Dave Phillips – Rockhouse Mini L.P. Collection

Rockhouse Records – MLP 8420 [1985]

Brand New Beat – The Fun Of It – In My Dreams – So Now You’ve Lost her – You Don’t Want to Know – The Trip

Dave Phillips

I said it before and I’ll say it again, mini lp are often the best support for Rockabilly. It’s short, every number counts and there’s no place for fillers.
Dave Phillips’ mini lp for Rockhouse is the perfect exemple of that statement.It’s almost perfect and dare I say, even better than his debut solo album.
Once again one can hear the influence of Gene Vincent, with the covers of Brand New beat (imagine Vincent revisited by Restless of vanish Without A Trace period) and In My Dreams which is probably the weakest song of the album (but to his discharge it’s hard to compete with Vincent on that type of song.)
The four remaining tracks are originals. You Don’t Want to Know features Mark Harman of Restless (and former hot Rod Gang member) on guitar and is a rockin’ ballad with once again the shadow of Gene Vincent over it.
So You’ve Lost Her is a medium rocker while the Fun of it is a fast neo-rockabilly with breaks later covered by French band the Happy Drivers on their debut album and the Trip is Worth th eprice of the album alone. This fast modern rockabilly number (with a dash of psychobilly) is a modern masterpiece.

Dave Phillips – The Best Of

Rockhouse records ROCKCD8603
Tainted love -’56 Boys – Wild youth – She will come back – Love me – On the move – It was free – The trip – Every walk of life – I saw her standing there – Sunshine girl – So now you lost her – The fun of it – Brand new beat – I’m gonna die – I’m driving home – Boogie up roar – Pink thunderbird – Cat man

If you don’t have any of the solo albums of Dave Phillips or the Blue Cats (which is, in my opinion, a shame), you should definitely acquire this best-of album.
It covers the “Rockhouse years” of the fame double-bassist, with songs from the first Blue Cats album, the studio recordings (including the hit Tainted Love) and two live songs lifted from the Live at the Rockhouse compilation album.
It also shows that Phillips always had the best musicians to back him, Rob Tyler on drums and aces like Mark Harman, Paul Gaskin and Mick Malone on guitar.


Dave Phillips – Understatements

Kix 4 U Records ‎– 4U 3334
Rescue – Desert Town – Every Walk Of Life – Next Stop – Night Life – Paradise For The Children – The Trip – Room At The Top – Sunshine Girl – I Saw Her Standing There – Dancing Shoes – The Fun Of It!

Following the success of Tainted Love, Bert Rockhuizen of Rockhouse/Kix4U pushed Dave Phillips to add even more modern elements on Understatements.
Hence, despite having good melodies, most of the album is made of pop/new wave-influenced music with a modern production that has little if nothing in common with Rockabilly.
Nevertheless, a bunch of great self-penned Neo-Rockabilly numbers (The Trip, The Fun of it, and the Beatles influenced Next Stop) and two good rocking covers of the Beatles’ I Saw Her Standing There and Buzz & the Flyers’Every Walk of Life, save half of the platter.


Dave Phillips and the Hot Rod Gang – Look Out!

Bank Of Troy Recordings ‎– AR-92-1-33, My Way Records ‎– WAY LP 1223 [1992]
New Job – Git It – Goin’ Up The Country – It Was Free – She’s A Woman – No Comeback – Joy Ride – Ain’t That Good News – Handsome Johnny – Linda Lou – A Soft Growl – It’s Murder On The Streets

After going too deep into the musical experimentation with “Understatements” his previous album, Dave Phillips wisely chose to return to what he does best: ROCK! And what a better band than the original Hot Rod Gang (the faithful Rob Tyler on drums and Mark Harman as well as Paul Gaskin on guitars) to help him?
The result is a superb twelve track album. Some tracks a pure neo-rockabilly (almost Psychobilly for “It’s Murders On the Streets”); others are more traditional sounding. As usual with Phillips, there’s special care to write melodic songs (or cover songs with strong melodies), and he’s attached to add a variety of instruments (piano, harmonica, flute) to explore styles and moods. There’s even a slow, which is always a good point!
The only low point being the drawing on the cover.

Available here.


Dave Phillips and the Hot Rod Gang – Good Thing

Fury Records F3035 [1995]
Good Thing – I’ve Just Seen A Face – Rollin’ Danny – Teenage Partner – Here Comes The Night – Linda Lu (Live Recording)

Recorded in 1995, Good Thing features Rob Tyler on drums and Darrel Higham on guitar. This mini-album features six covers. Next to the now mandatory Beatles cover, there are songs from Fine Young Cannibals, Gene Vincent, Hank Noble, and Ray Sharpe.
Good Thing, the song, captures the same vibe as Tainted Love. Phillips is as usual extremely at ease when it comes to singing Gene Vincent his idol, and both Here Comes the Night and Linda Lu rock (the latter being recorded live.) Surprisingly, they do not convince with their cover of the Beatles, which is usually one of their strong points.
The whole atmosphere is very laid back, and it benefits to the final result.


Dave Phillips and the Hot Rod Gang – I Lost My Beer

KEiL-Records – V.07-21-009 [2021]
I Lost My Beer! / I’m Gonna Toss My Cookies

Dave Phillips

After a break of a quarter of a century, Dave Phillips returns with a brand new single (but a little bird told me there’s more in the pipeline). Some bands grow older, and often not for the best, but Dave Phillips has matured. I try as much as possible to avoid the overused comparison with the wine, but if you allow me just one exception, let it be for this single.

Backed by the excellent Mark Twang on lead guitar and Pete Deville on drums and superbly recorded, Dave Phillips proposes two original songs, thematically centred around beer (before and after). This man knows about essential things in life. This kind of lyrics evokes the likes of Slim Gaillard or Louis Jordan. Actually, the music is also a variation around their music, a brand of swingin’ Rock’n’roll or a brand of Jump/Rhythm’n’Blues without horns. The trio is very impressive by its cohesion and how they complement each other. Philips and Deville infectious groove allows Twang to jump and gallop (and sometimes he “gallups” too) over the fretboard. The final result is delightful, though having only two songs create a lot of frustration. It’s a strictly limited release (only 444 copies), so grab a copy when you can.
https://www.facebook.com/keilrecordsgermany


Dave Phillips & the Hot Rod Gang – The Big Wheel Of Life

The Big Wheel Of Life – Raining In My Heart – Bad Boy – Shut The Truck Up – Rain – I’m Gonna Catch Me A Rat – My Oh My – I Lost My Beer – Cat Man – No Moon At All – I’m Gonna Toos My Cookies – All You Need Is Me – Man Of Constant Sorrow

Dave Phillips & the Hot Rod Gang - The Big Wheel Of Life

The fact that a man like Dave Phillips, who plays this music for more than 40 years, still manages to surprise me gives me incommensurable joy. And boy, did he surprise me with his latest album (pleasantly, that goes without saying).
His latest collection of songs recorded with Mark Twang and Chris Bergström on guitars, Pete Deville and Patrik Staffansson on drums and a pianist (whose name escapes me right now, sorry) would show many newcomers how to play that music.
The album opens with Dave’s The Big Wheel Of Life: first track, first classic. The early 60s country feel fits the lyrics perfectly, and Dave’s voice which has gained in depth and maturity and, dare I say, now shows some vulnerability is perfect for this style. No wonder the song gave its title to the album. Phillips penned three other tracks for the album: Shut The Truck Up, a mid-tempo Rockabilly with piano and backing vocals, I Lost My Beer, and I’m Gonna Toss My Cookies. Both were released as a single on Keil Records. I Lost My Beer sounds as if Louis Jordan or Slim Gaillard had played Rockabilly, and by listening to Toss My Cookies, it seems that Phillips finally found his beer and had one too many, and the result gives a hilarious song.
There are also a few covers. It wouldn’t be a Dave Phillips and the Hot Rod Gang album without a Gene Vincent song. Rejoice, my friends; this one contains two: I’m Gonna Catch Me Rat and Catman. There are just some subtle changes if you compare their version of Catch Me A Rat to the original: the piano part, some jazz chords here and there, and a little difference in the groove, but that’s enough to transform it into something really new. Regarding Catman, the result is equally impressive. The rhythm section and the guitar rock as hell, while the piano forays into jazz territories and brings a whole different colour to the song. Buddy Holly’s Raining In My Heart is superbly served by Phillips’ melancholic voice, whereas Larry Williams’ Bad Boy changes the mood. The song is turned into a desperate bluesy tune with a Diddley beat and two superb twangy/burlisonian guitar solos to boot.
There are also tunes that you wouldn’t usually find on a Rockabilly album. But that’s where Phillips is clever and is more attached to the quality of the song and the melody rather than sticking to a specific genre. My, Oh My comes from one of Leonard Cohen’s latest albums and, once again, fits Phillips’ voice perfectly. King Cole’s No Moon At All falls halfway between jazz (the piano) and Gene Vincent (the guitar). The same goes for Morrissey’s All You Need Is Me, one of the album’s highlights. Rain was initially done by Jose Feliciano. Phillips keeps the beautiful melody but muscles the song, and Twang adds an outstanding solo. Superb!
Contrary to some (don’t insist I won’t give names), ageing doesn’t seem to be a problem for Phillips. With a newfound voice, solid originals and still that open-minded approach, his latest album could possibly be his best. But please, Mr Phillips, don’t make us wait too long for the next one.

Fred “Virgil” Turgis

Read our in depth interview with Dave Phillips here.

Niteshift Trio (the)

The origin of the Niteshift trio can be traced when Gary Venn started to learn double bass in the early 1980s. His teacher was Boz Boorer from the legendary Polecats (and now Morrissey’s main man). He soon teamed up with a school friend called Steve Lovett on guitar and they started to practice in his mum and dads garage. It all seemed to fall into place and they quickly found their own sound. Their drummer at that time was a guy called Carl.
Things went well and the trio played lots of gigs at various rockin’ clubs around the country.They gained a good reputation and one evening after a gig they met Dell Richardson from Fury records who asked them to do some recordings for him on a couple of compilation albums (Gipsy Girl, I Love My Car, She’s Just Rockin’, Taken By Force).

Then Carl left to emigrate to California. By chance they knew Keith Bailey a fan of the band who also played drums. He was proposed the place. This line-up recorded their unique album “You Ain’t Seen Nothing Yet” still for Fury. Using the lp as a card the Niteshift Trio gained more gigs abroad, including Germany which they toured twice with the Guana Bats, Demented Are Go the Deltas and various other top name and is remembered as a fantastic experience.

Unfortunately Steve decided to quit the band to become a solo country and western singer, which he still does now. Gary went on to form a new band called Loveless, a wild rock n roll band doing various rock n roll with a trashy sound, for which he switched from double bass to guitar and vocals enjoying playing and writing songs. Loveless toured Germany and went down a storm and it remains like a great experience for Gary.

The Niteshift Trio - You Aint Seen Nothing Yet
The Niteshift Trio – You Aint Seen Nothing Yet

The Niteshift Trio – You ain’t seen nothing yet

Fury / Raucous RAUC 237
You Ain’t Seen Nothin’ Yet – One More Day – Leave ‘Em Cold – Venus – See My Body – Super Jet Rumble – Rockin’ In The Graveyard – Cadillac Ranch – Train Don’t Stop Here – Don’t Let It Fade Away – Slide – Taken By Force / Life Could Be Easy – Don’t Need Nobody – Taken By Force – What D’Ya See Now.

After numerous apparitions on compilation albums (one of their track even gave its name to “Taken By Force”), the Niteshift Trio finally made it on long distance.
“You AIn’t Seen Nothing Yet” is a typical 80’s neo-rockabilly album. The ingredients are all here (light guitar and snare, slap bass to the fore) and the result is rather pleasant. They have good originals and like many rockabilly bands of this era they also cover rather unusual material like Venus (made famous by Bananarama) and Bruce Springsteen’s Cadillac Ranch. This cover is the only weak point of this platter, using and abusing of a repetitive riff, but to their discharge this boring riff was also present on the Boss’ version.
The original album is rounded by bonus material coming from the aforementionned compilations
This is a must have album for any true neo-rockabilly fans and a good reissue from Raucous.

© Fred “Virgil” Turgis

Deuces Wild

deuces_wildDeuces Wild – Brutal Purity

Vampirette VAMPCD106 [1989]
Just Alright ~ Diamonds At Her Feet ~ What Colour Is The Sky ~ Make That Date ~ Never Came Back ~ Decisions On Love ~ Am I Wrong ~ Look That Looks Good ~ Sweet Love From You ~ Deuces Wild ~ Blues So Bad ~ Brutal Purity ~ Radiation Ranch ~ Deuces Wild ~ City Bound
This album was first issued on Fury in 1989 and until now was only available on vinyl, so that’s a good idea from Vampirette to reissue it, especially with 3 bonus tracks. The Deuces Wild were a british neo rockabilly trio. The majority of the songs are rockers influenced by Cochran, Restless (Deuces Wilds #2) and of course Brian Setzer, the excellent and frantic “Brutal Purity” sounds like a mix of Stray Cats “Wicked Whiskey” and Restless’ “Crack Up And Fall To Pieces” (you could find worst references for a neo band) and included in the bonus tracks is a good rendition of “Radiation Ranch” from Setzer’s solo album The Knife Feels Like Justice. Pete Hague’s voice is not that far from Paul Roman (The Quakes) at places and talking about The Quakes if you dig their “Voice Of America” album, you sure wont be disappointed with the stuff contained herein. But their originality comes from the blues elements you can find on some songs (It’s Alright, Am I Wrong), close to the recordings made by The Nervous Fellas around the same period. They try to escape the clichés (and succeed) with some tunes you’re not used to find on “80’s neo rockabilly-slap bass led” albums like the jazzy blues “Blues So Bad” or the acoustic skifflebilly “Diamonds At Her Feet”. Sure this album won’t change your life, but this is a more than pleasant reissue if you dig “Gonna Ball” by The Stray Cats and that typical 80’s rockabilly sound like I do.
Fred “Virgil” Turgis


Deuces Wild - Johnny Rider
Deuces Wild – Johnny Rider

Deuces Wild – Johnny Rider

Raucous Records RAUC004
Completely Sweet – Cadillac Rust – Shook Shake – Out On My Own – Tear It Up – No Time For That – Johnny Rider – I’ll Be Right Here – Bitter Tears – Sugar In My Coffee – Lodi

 

 

 

 


Deuces Wild - Cadillac Rust
Deuces Wild – Cadillac Rust

Deuces Wild – Cadillac Rust

Raucous Records RAUC15
Completely Sweet – Cadillac Rust – Johnny Rider – I’ll Be Right Here

The Niteshift Trio

niteshift-trioThe Niteshift Trio

Gary Venn started to learn double bass in the early 1980s. His teacher was Boz Boorer from the legendary Polecats (and now Morrissey’s main man). He soon teamed up with a school friend called Steve Lovett on guitar and they started to practice in his mum and dads garage. It all seemed to fall into place and they quickly found their own sound. Their drummer at that time was a guy called Carl.
Things went well and the trio played lots of gigs at various rockin’ clubs around the country.They gained a good reputation and one evening after a gig they met Dell Richardson from Fury records who asked them to do some recordings for him on a couple of compilation albums (Gipsy Girl, I Love My Car, She’s Just Rockin’, Taken By Force). Then Carl left to emigrate to California. By chance they knew Keith Bailey a fan of the band who also played drums. He was proposed the place. This line-up recorded their unique album “You Ain’t Seen Nothing Yet” still for Fury. It is a typical 80’s neo-rockabilly album with light guitar and snare and slap bass to the fore. Using the lp as a card the Niteshift Trio gained more gigs abroad, including Germany which they toured twice with the Guana Bats, Demented Are Go the Deltas and various other top name and is remembered as a fantastic experience. Unfortunately Steve decided to quit the band to become a solo country and western singer, which he still does now. Gary went on to form a new band called Loveless, a wild rock n roll band doing various rock n roll with a trashy sound, for which he switched from double bass to guitar and vocals enjoying playing and writing songs. Loveless toured Germany and went down a storm and it remains like a great experience for Gary.
You Ain’t Seen Nothing Yet” has since been reissued on cd by Raucous including the compilation tracks as a bonus.