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old-school psychobilly - Page 6

Scam

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scam-promo1Scam

Country: Holland – Genre: Psychobilly / Neo-rockabilly

Marcel van den Berg: vocals,guitar
Arie Versteeg: double bass
Raymond Fitsch: drums

 

Scam, formed around 1986. They recorded their first demo in the winter of that same year which caught the attention of Eddie and Johnny of Count Orlock. In October 1988, they recorded « Gamblin’ Fever » their debut album which is very representative of the sound of the day: light drums, slap bass and a clean electric guitar, influenced by Restless and fellow Dutchmen Batmobile. The sound is good though a bit thin at places. They have solid original (Hangover, Captain Caveman, Ready Willing & Able) but the long distance (12 songs) tends to disadvantage the band and the album sounds a bit repetitive, they could have reduced it to eight solid songs.
The album was well received and Scam supported big acts and played bigger gigs and festivals (the Rockhouse Psychobilly meeting, Night of the longknives) and doing national radio performances. They soon received demand for a second album. Not having enough material for a new album they decided to re record old songs from the first demo together with some covers.The mini album called “Infant Years”was released on Tombstone Records in 1990. Despite an ugly cover, this mini lp shows an improvement. There’s not a big departure in term of sound but the band is tighter and the songs less repetitive.

Their last album (to date) came in 1991. Released on Rockhouse, A Million Dollar Scam marks a new step for the band. They add a good dose of rockin’ blues with harp, saxophone and slide guitar to their usual brand of light psychobilly/neo-rockabilly,. The set is varied and the song inspired. A guest singer is present on a couple of tracks. A very good album that shows the evolution and the maturity of the band. The cd version contains four bonus tracks.

They kept on playing but disbanded around 1993. Marcel remained active on the music scene. playing with the Penguin (Batmobile’s bassplayer side project) and can now be found in 69Beavershot, Triple Dynamite and Dee Ann & The Nightcaptains.
In 2005 they did a one of reunion show in original line up. A new album was announced but nothing materialized untill now.

  • Discography
    Gamblin’ Fever – Count Orlock – ROCK V (1988)
    Infant Years – Tombstone – Tomb-disc 679 (1990)
    A Million Dollar Scam – Rockhouse – lp9114 (1991)

The Pussykillers

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Pussykillers - David Vincent les a vu
Pussykillers – David Vincent les a vu

David Vincent les a vu /Zombie Rockers
KRUEL K 8803 [1989]

The Pussykillers were a French Psychobilly band from Poitiers and consisted of Bill (vocals), Kub (doublebass / b-vox), Erick (guitar / b-vox) and V(drums / b-vox). They played  a brand of heavy psychobilly influenced by the Meteors and the early Coffin Nails. Actually, their singer shouted more than he sang. They also played some gigs with Thierry Petel (Happy Drivers) on drums but they split in the early 90’s. It seems that their guitar player later comitted suicide.

Fred “Virgil” Turgis

Cavemen (the) – Dutch neo-rockabilly / psychobilly band

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cavemen_stone age
Cavemen – Stone Age Beat

The Cavemen – Stone Age Beat

Count Orlock Records
Living Dead – Haunted House – Silver Surfer – Stone Age Beat (Wilma) – Wilderella – Is It Over – The Car – Devils Road – Vampire – Indian Style – Jericho – One More Chance – Do Do Ta Ta – Don’t Need A Job

Drowned in the mass of psychobilly releases in the late 80’s, this too often overlooked album deserves to be rediscovered today.
The Cavemen formed in 1982 with Marcel Hoitsema on guitar and vocals, Roland Verbruggen on double bass, and Jos “Toolie” de Groot on drums. Verbruggen previously played guitar with Mac Taple in the early 80s
After a while, Jos left the band, and Berto Rerimassi joined in on drums. This line-up recorded two songs for the compilation album Cool Cat Go Ape (Big Shot Records – big shot rec 001), released in 1986. These two songs were A Couple of Days and an early version of Vampire.
After these recordings, Marcel asked his friend Jean-François Besson to join the band. But after a couple of rehearsals, the new direction taken by the band didn’t please Roland and Berto that much. Marcel then left the band to form Bang Bang Bazooka with Jean-François.
Berto switched to lead guitar, and Ronald Smet joined as the new drummer. In August 1989, this new line-up went to Tango studio in Eindhoven to record the band’s sole album, Stone Age Beat. It’s an excellent album of soft Psychobilly with well-crafted and varied songs. Particularly good are Stone Age Beat (written by Hoitsema and featuring a quote of the Flintstones theme), Silver Surfer, and One More Chance, a humoristic slow number with outrageously fake cries. It also contains a new version of Vampire, which was also re-recorded by Bang Bang Bazooka on their debut album.

Fred “Virgil” Turgis

cavemen

Lucky 13

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lucky-13-come-back-home-cdLucky 13 – Come Back Home

Part Records PART-CD 6111.001 [2014]
Black Slacks – Moonshine – Jungle Fever – You Are My Destiny – Come Back Home – Bad Girl – Get Off The Road – 44 – Maniac Babe – Bad Reputation – Purple Flames And The Lost 13 – Wish You Were Dead – The Cats – Far Far Away – In The Moon For You – Tough Guys – 44 (acoustic version) – In The Bar – Liar – Happy End.

Lucky 13 are a hot rockin’ trio centered around the charismatic personnalities of Ed Mind on guitar and Ani Romance on electric bass with, on this platter, either Jimmy Cash or or Lance Matthyssen on drums. Both Romance and Mind write solid originals and sing which brings a lot of variety in term of sound and style.
The songs gathered on “Come Back Home” have been recorded over a period that goes from 1998 to 2012.
Their music takes its roots in the rockabilly of the fifties and goes as far as Psychobilly in the style of the Anagram era of the Meteors with everything cool in between. You’ll find some rompin’ instrumentals, 60’s Girl bands stuff (Paul Anka’s You are My Destiny excellently sung by Romance), 80’s neo-Rockabilly (a superb cover of Red Hot’n’Blue’s Bad Girl or Moonshine that many of us discovered on the Deltas debut album), and some darker stuff reminiscent of the Cramps or Empress of Fur (and their bass palyer can stand proudly next to Candy Del Mar, Ivy Poison or Venus Raygunn in term of “girl with a bad attitude”.)
If you like real rockin’ music and don’t aim for a purist sound, and dig the bands mentionned above, be sure to grab a copy of this platter.

Fred “Virgil” Turgis

Out of Luck (psychobilly)

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Out of Luck – Killer Coupe

Part Records Part-coutofluckkillercoupecdd-6100.002 [2014]

The Change Of  the Plymouth – Killer Coupe – I Pack My Bags – Gangster – I’m So Lonely – My Baby Is A Centerfold – Heart Of A Fool – Your Best Buddy – My buckets got a Hole In It – I go For A Walk With My dog – Drop Dead – Demons In the Tank – Kickin’ Up A Row
Out of Luck returns with a brand new kick ass album featuring eleven originals and two covers (Heart of Fool and My Bucket’s Got A Hole In It). Led by the strong voice and the powerful slap bass of Karl Rascal with Rocky on guitar and Beppo May on drums, they perfectly mix their varied influences with classic Rockabilly, neo-rockabilly (one can hear shades of Brian Setzer in the guitar of I’m So Lonely), old school psychobilly kinda like the early Nekromantix or even the Scum Rats with, which is more unusual for this type of band, a heavy dose of country music which makes them sound at places like European cousins of the Reverend Horton Heat. A very good album.

outofluck-greetingsfromoutbackvilleOut of Luck – Greetings From Outbackville

Part Records Part-CD 6100.001 [2012]
Greetings From Outbackville – 49′ Plymouth – Ain’t Got No Job – Rockabilly Rocker – Black Kat – Midnight Drive – Johnny Ultracool – Out Of Cash – Josephine – Into The Valley – I Wanna Kill – Psycho Fantasies – Sunrise At The Foggy River – Cruisin’ – Rainy Day – Love Is An Expensive Affair – Several Ways To Die

Out of Luck is a terribly good and powerful trio who plays revved-up rockabilly that often borders on old-school psychobilly. This album is a subtle balance between the early recordings of the Meteors, Guana Batz and even Mad Sin and more traditional rockabilly stuff with some Reverend Horton Heat in between. The original songs (all but one) are very well written. The sound is also particularly good with a very natural and warm recording of the double bass (not that horrible sewing machine sound one can too often hear in that style of music). As a bonus they included six live tracks to convince you to see them on stage. It’s good to see bands like Batmobile or Skitzo (to name but two) reform, but this music needs new blood, and with band like Out Of Luck the future seems assured.

Fred “Virgil” Turgis
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