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psychobilly - Page 13

Es-Feiv

Es-Feiv was a Dutch neo-rockabilly/psychobilly trio. They started as a punk band in 1980 with Patrick van Reijn and three friends (Paul – bass, Dirk – vocals and Henk – drums). In 1982 Henk left, Paul switched to drums and Jeroen Kruiswijk came in to play bass, but two years later the band split. They reunited in 1986 to do a Ramones-tribute tour, but in 1987 Paul left and once again the band split. Es Feiv came back in 1988 with Patrick (guitar), Jeroen (this time on double bass) and newcommer Dennis on drums with this time neo-rockabilly and psychobilly in mind. One month later they recorded the now sought after (only 500 copies were made) “Nous Nous Ok” ep (Play Loud! – TBS 4505). Denis, busy with other bands, left and was replaced by Arjan, Jeroen’s younger brother. Numerous gigs led to a contract with Rockhouse/KIX4U and 1989 saw the release of “Cows In Motion” (KIX 4 U Records – KIX 3347). Then, Patrick who couldn’t combine his job with the band stopped playing and Tom Van Houten replaced him on guitar. The new trio wrote and rehearsed new material, played it on stage, but the band broke up before the new album (planned to be called “Johnny’s Neighbourhood”) saw the light of day.

Es Feiv - Cows in Motion
Es Feiv – Cows in Motion

Es-Feiv – Cows in Motion

Kix 4U {1989}
The Prisoner – No Comin’ Back – Brand New Cadillac – Heart Breakin’ Days – She Turns Me On – Ain’t Takin’ No Train – Everything She Says -Move Your Buds – Be My Baby Tonight – Vendetta – Real Good Time – Cretin Hop – Gimme Your Love – Cows In Motion

I recently rediscovered this album (originally released in 1989) and though it’s not entirely good, it contains enough excellent moment to interest any Psychobilly maniac especially those who are into what is now called “old-school Psychobilly” (I don’t like the term but I believe that everyone understand what it means). So what about Es-Feiv? It’s a mix of good ol’ psychobilly, neo rockabilly and more average material. They sound like many bands of that era (light guitar, upright bass to the fore and simple but effective drums). Among the best tune you’ll find “Heartbreakin’ Days” (with a sax), “Brand New Cadillac” (inspired by the ricochets version), “Real Good Time” (an excellent neo-rockabilly tune with a little “rock this Town” feel in it), “Cows In Motion” (an psychobilly version of an Ennio Morricone tune) and a couple of others (No Comin’ Back). On the other side their cover of The Ramones’ Cretin Hop (a reminiscence of their Punk days?) is poor, but it’s hard to compete with the original, and some other songs are just fillers, and though the light production works on the good stuff, it reveals the flaws of the less successful material. A mini lp with 8 songs would have been more efficient.

Fred “Virgil” Turgis


Es-Feiv ‎– Nous Nous O.K. ...
Es-Feiv ‎– Nous Nous O.K. …

Es-Feiv ‎– Nous Nous O.K. …

Play Loud! ‎– TBS 4505 {1988}`
She’s Allright – Cynthia – Real Good Time – She Turns Me On – No Protection

Limited ep (500 copies). It features ealier versions of Real Good Time and She Turns me On.

Es Feiv
Es-Feiv

Midniters (the)

Midniters - Easy MoneyThe Midniters – Easy Money

 

Razor [1988] – Planet X [2018]
Easy Money – Little Devil – Dead Man`s Curve – Sin City – Better Of You – When The Walls Come Tumbling Down – Another Nail In My Heart – Swords Of A Thousand Men
Easy Money (Demo) – Nightshift (Demo) – Walls Come Tumbling Down (Demo) – Gun Law (Demo) – Dead Man’s Curve (Live) – Little Devil (Live) – Walls Come Tumbling Down (Live) – Swords of 1000 Men (Live) – Easy Money (Live)

The Midniters formed in the mid 80’s. After appearing on Fury’s compilation album they released their debut album in 1988 for Razor with Steve Jeffery on vocals and guitar, Nick Wade on drums and Mark Beard on double bass. This album is now reissued on cd with extra bonus tracks.
Being friends and labelmates with the Long Tall Texans, it would be all too easy to compare both bands. And though they sure share some similiraties in term of sound, the Midniters have enough personnality in their songwriting or vocally speaking to avoid this comparison.
With only 8 songs, Easy Money (the original album) is a relatively short affair which is always a good thing for a debut album. Not only you won’t find any filler but it allowed the band to spend more time on each song. And with the help of producer Roger Tebutt (Long Tall Texans, Happy Drivers, but he also worked with the Meteors on Sewertime Blues) they tried different things in term of sound and texture and used the studio as a creative tool. This is not your usual “Live-in-the-studio-with-a-pack-of-beer”
As I said the songwriting is pretty solid, oscillating between neo-Rockabilly and Psychobilly. Fans of heavy double-bass will also appreciate this album too and since it’s been remixed I believe it helps too (since I only owned the original on cassette I can’t remember if that fat bass sound was already in the original mix.)
Six of the songs are originals and the covers are Jan and Dean’s Dead Man Curve and Tenpole Tudor’s swords of 1000 Men.
Tracks 9 to 12 are demos including two songs that didn’t make it to the album but they possibly are from another era of the band since a sax can be heard on Nightshift.
Five excellent live tracks rounds up the package.
All in all a very good and well deserved reissue.


Midniters Terror IncognitoThe Midniters – Terror Incognito

Planet X [2017]
Got Too Hurry – Personal Jesus – Dead Man’s Hand – Pistolero – In the Shadows – Motorbike Mike – House of Stone – Terror Incognito – Drive By – Face in the Dark – All Out Attack – Butchers Basement

Here’s a new Midniters album, nearly 30 years after Easy Money. But if you expect a trip down memory ane, let me tell you you’re plain wrong. ”Terror Incognito” is here to tell you that we’re in 2018, not 1988 !
The Neo-rockabilly bordering to Psychobilly of their first effort evolved into a modern form of Rockabilly with a harder and a fuller sound. In the same time they added elements of New-wave. This mix of influences, some songs could be defined as Adam Ant meets the Stray Cats makes them sound at place like the recent Quakes album. Some songs are much harder and more psychobilly that are not that far from the early Nekromantix.
All songs but two are originals written by Steve Jeffery, the cover being Depeche Mode’s Personnal Jesus in a very personnal rendition and a Spaghetti western influenced instrumental composed by Steve Stevens (guitar player for Billy Idol.)
It’s good to see a band that dosn’t try to run after its youth and return to create and propose something new.

Fred “Virgil” Turgis

The Trillionairs

trillionairsThe Trillionairs – Haunted

Killjoy records – Kill 023 [2017]
Haunted – Alohol
The Trillionairs are a German neo-rockabilly/psychobilly quartet. After a short dialog taken from what I assume to be a old movie (though I didn’t recognize it), Haunted kicks off. Two guitars, one with a distorted sound and another with a more rockabilly sound, a powerful slap bass completed by superb drumming (the band’s secret weapon), and on top of that a fierce and aggressive voice. With a change of pace in the middle, this is first class psychobilly.
B sides takes more or less the same ingredients, including fine drums breaks too, but is slightly faster. That’s all I love and I ask from a band : tight musicianship, good songs and more than two ideas for the arrange them.
500 copies (400 black, 50 red and 50 white)

Available here.

Scum Rats

Scum Rats were a German Psychobilly band formed by Charly Fallensteller (vocals & doublebass), Coco McDaddy (guitar), Serge Baxley (guitar) and Steve Parker (drums).

Scum Rats
S/t

Rumble records – Gang 003 [1990]
I See Your Face – Too Much Pain – Blood In Your Face

Scum Rats

Led by Charlie Fallensteller’s fast slap bass and vocals, this quator from Germany delivered a powerful three tracks ep of self-penned tunes on the extreme side of the Psychobilly genre with hard core influences. If you prefer they were closer to band like Demented Are Go or the Krewmen (when led by Tony McMillan) than the Long Tall Texans.
In addition to the supersonic bass, the ingredients are Fallensteller’s rasping voice, hard hitting and thud drums (with barely no cymbals) and fine arrangements that rely on the different sounds and textures of the two guitars. All in all an excellent ep.


Scum Rats
Go Out Into a Scum Dream

Rumble records – RUMBLE001 [1990]
Scum Rats – Go Out – Scum Of The Night – I Love Rock & Roll – Money – Runaway – Die To Be Free – My Baby Is Alone – Come On Little Sister – Scum Love – Cryin To Be Satisfied

Scum Rats - Go Out Into a Scum Dream

The Scum Rats debut album doesn’t differ much from the ep in term of sounds (and show no sign of amelioration in term of cover design either).
The same ingredients can be found to serve solid and powerful originals and two covers (Joan Jett’s I Love Rock’n’roll also released on single and Del Shannon’s Runaway sung by the guitar player, probably not the band’s best moment).
Once again the way the two guitars interact is worth noticing, one with a distorded sound and the other with a clean sound. All of this makes of Go Out… one of the best Psychobilly album of the the early 90’s.If my memory serves me right the first pressing was on green vinyl.
It was later reissued on cd with their second mini album.

Fred “Virgil” Turgis

Early line-up, circa 1987 (from the band’s facebook page)

The Retarded Rats

Retarded ratsThe Retarded Rats – I Hate Chocolate

Killjoy records – Kill 024 [2017]

The Head and the Axe – Survival

A broken record player coupled with a busy schedule delayed the review of a batch of vinyl records I received from Killjoy records, including this single from the Retarded rats. And just when I finally can review it, I hear the news that they decided to take a break . Rats !

Killjoys is known for its colored vinyl releases and cassettes. This single makes no exception to the good taste of the label. It comes in a beautiful gatefold sleeve, nicely designed and illustrated with… a flexi disc inside. Yes you read well, a flexi disc.
For releasing such beautiful objects, Flatty and Anna Killjoy deserve all our respect, admiration and support (in other words : buy the discs !) But they deserve all of that and more  for another simple and obvious reason : their music.
A side could be described as psychedelic-psychobilly, not that surprising for a song about voices in the head that lead to a hatchet in a skull.
B side is more rocking with a slight western twang. It also features pretty good lyrics too. Like everyone I like songs about vampires, ghouls and zombies but I was pleased to find more personnal and almost reflective lyrics that find a strange echo with the news of the band calling it quit.

Limited to 500 copies.

Available here and here.


The Retarded Rats - Screams from the 10th Planet
The Retarded Rats – Screams from the 10th Planet

The Retarded Rats – Screams from the 10th Planet

Killjoy Records KILL-017
The Engine Starts – No time to die – Neo-psychobilly – You Lost my brain – Headshot – Searching – Fingertip in the Sky – Inquisition – the key – Coulrophobia – Nananananananananananana – Screams fromt he 10th planet

I sometimes fear that I don’t have the legitimacy to review Psychobilly albums. After all, I stopped following the evolution of the genre since the mid 90’s, when bands began to incorporate too much elements of metal, hardcore or were just playing punk with a slap bass. But the Retarded Rats LP came as a nice surprise. I first thought that the main reason was due to the sound that brought back my teenage year. But it was much more than that. And simplier: the Retarded Rats are a pretty good band.

With the feet firmly rooted in the classic Psychobilly tradition of the mid 80’s/late 90’s, this trio (Gordon melmac on drums, Flatty Killjoy on guitar and organ and Anna Killjoy on doublebass and lead vocals) from Leipzig, Germany, takes the genre one step further without denaturing it. Without a doubt the light guitar, the slap bass (a real slap bass with warm notes and a wood sound, not that horrendous metallic clicking sound one too often hears) and even the voice of Anna, the female lead singer (I couldn’t help but think about Something Shocking or Dypsomaniaxe) belong to the what is usually described as old school psychobilly but the melodies, the songs (all originals) and the arrangements are 100% their own.
By no means are the Retarded Rats a nostalgic band playing a music of the past. They have too many good ideas for that. The sound has a lot to do with that too, it’s raw – recorded live on 8 track reel to reel – but not dirty (well, okay a bit dirty, but just what it needs, see what I mean)

In the end the best way I can find to describe this excellent combo is the title of one of the best songs of the album: neo-psychobilly.
Like Rockabilly, Psychobilly saw a lot of 80’s bands reforming in the recent years to play weekenders, that’s a good thing (who wouldn’t like to see legends?) but I firmly believe that the future of Psychobilly lays in bands like the Retarded Rats who bring new blood and ideas but remain faithful to the genre.

Order it here : http://www.killjoy-records.de/en/home/136-the-retarded-rats-screams-from-the-10th-planet.html

Fred “Virgil” Turgis

Torment

Torment - Live at the Klub Foot
Torment – Live at the Klub Foot

Torment – Live at the Klub Foot

Trophy Records TR003
Introduction – Torment – The Source – Slow Down – Rockjet – Conscription Plan – Uncle Sam – Satisfied – The Last Time – Pass It On

A couple of years ago Alan Wilson (of Western Star and the Sharks fame) found a box full of tapes recorded at the Klub Foot, the mecca of Psychobilly and Neo-rockabilly in the mid-80’s. These tapes needed to be restored and cleaned, a very costly process and two of these shows (Batmobile and Sting Rays) were released on Anagram/Cherry Red Records. Sadly the sales weren’t enough for the label and they called it quit. Knowing he had history in his hands, Wilson created a sub-label to his own Western Star to keep on releasing this stuff.
Torment was a highly original band of the Psychobilly movement. They counted among those bands – like Frenzy – that weren’t just happy to sings songs about werewolves, zombies, ghouls or to stick with a brand of Psychobilly that was just uptempo Rockabilly. Sadly, in the early 90’s, the sudden death of Simon Brand their lead singer – guitarist and main composer pulled the final curtain on a rich discography. With this in mind and considering that they never released a live album, this record sounds like a time capsule saved from the past. Some of the songs featured here have already appeared on previous Klub Foot compilations (the “original” serie) but in term of sound there’s no comparison possible. It’s like hearing brand new recordings. What can I say ? If you dig Torment you probably already own it (or you plan to), if you don’t, remember that Torment deserves to be in any decent Psychobilly collection and this album is a good start.

Fred “Virgil” Turgis

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