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The Foggy Mountain Rockers

The Foggy Mountain Rockers - Hang Him High
The Foggy Mountain Rockers – Hang Him High

The Foggy Mountain Rockers – Hang Him High

PART CD 627.001 [1998]
The Way Of Rock’n’Roll ~ I’m On The Run ~ Rheinland Rock’n’Roll ~ Long Blonde Hair ~ Blues Train To Hell ~ Country Roads ~ You Gonna Rock ~ Lonesome Teddyboy ~ Rock’n’Roll Will Never Die ~ Der Alptraum ~ Unchained Melody ~ Hang Him High ~ Noch’n Bier ~ Ghostriders In The Sky

Hang Him High was supposed to be the band’s first release but Pin-up, the original label, decided to cease releasing records once the recording finished. It’s only years later that Part got the rights and finally issued it, hence the subtitle “early recordings”. But “early” doesn’t mean “amateurish”. By the time of this recordings they’re already accomplished musicians (listen the guitar solos). They deliver a set of mostly original songs (including two in German) completed with four covers with the solid musical cocktail made of 2 parts teddy boy rock’n’roll, one part country and a dash of skiffle played with a no-nonsense approach. Sure it sounds a bit young compared to later albums where the band was more experienced and also benefited of a real studio and they sometimes try to catch a fish too big for them (Unchained Melody) but Hang Him High is nonetheless very pleasant. You can also hear that they worked hard on the vocal arrangements (Country Roads). Good debut.


The Foggy Mountain Rockers - Angel Heart
The Foggy Mountain Rockers – Angel Heart

The Foggy Mountain Rockers – Angel Heart

PART CD 627.009 [original release 1999 – reissue 2010]
Trouble ~ Hold Me Tight ~ All I Can Do Is Cry ~ Cats´ Rhythm ~ Teenage Paradise ~ Castin´ My Spell ~ Pioneers ~ El Diablo ~ Bopcat ~ Together Forever ~ Angel Heart ~ Dancing Shoes ~ Revenge Of The Innocent ~ Over The Rainbow ~ Wild Nights ~ Party By The Riverside ~ Drinkin´ Beer

First issued in 1999, “Angel Heart” the band’s second album appears here in a brand new mastered version and it’s a winner. This now well established German sextet plays Teddy Boy / British revival inspired rockabilly (think Shotgun, Riot Rockers, Crazy Cavan, Flying Saucers, Matchbox) with a solid dose of country music and even a bit of skiffle provided by the presence of a washboard player. Most of the songs are self penned with the accent put on the melodies. There’s also a few selected covers: Wayne Walker’s All I Can Do Is Cry, Johnny Kidd’s version of Casting My Spell, Cliff Richard’s Dancing Shoes and Gene Vincent Over The Rainbow (yes this Teddyboys have a heart beating under their leather jackets). Musically, the rhythm section is solid and provides the perfect ground for the two guitar players. Their solos are sharp and most of all originals. Those of you who are not stuck in a 50’s conception of the rockabilly thing will sure find a lot to enjoy on this great reissue.


The Foggy Mountain Rockers - Rock’n’Roll Philosophy
The Foggy Mountain Rockers – Rock’n’Roll Philosophy

The Foggy Mountain Rockers – Rock’n’Roll Philosophy

 

PART CD 627.008 [2011]
It`s Not Too Late To Be Wild – Pain Hurts – Be Apart – Teddy Boy Anthem – What You Waitin’ For, The Fog – Alone, Man`s Ruin – The Wanted Man In Black – Tender Days – Something Wrong With You – Teddy Boy Movement – Wanderin‘ Star – The Beat, Illuminati (instr.) – Rock’n’Roll Religion – She Brings Back The Wolf In Me – Don’t Break My Heart Again

With the exception of Crazy Cavan who is above all (and to quote the Foggy Mountain Rockers “It’s wild, it’s weird it’s crazy Cavan and he’s the pope”) the Foggy Mountain Rockers are of one today’s best Teddy Boy gang. They write solid originals played by first rate players with original ideas.
“Rock’n’Roll Philosophy” counts among their very best album. Just listen to the way the guitars interplay on “It’s Not to Late To Rock’n’Roll”, the harmonies on “Pain Hurts” or the melody of “Be Apart” (and strictly between us how many Teddy Boy group can you call “melodic”?). They alternate Rock’n’roll anthems built for the stage with mid tempos with equal pleasure. There’s also a lot of country stuff added to their music (“the Fog”), the western tinged “Illuminati” and a nicely done tribute to Johnny Cash.
Handle at your own risk, this is rock’n’roll music!

Fred “Virgil” Turgis

Boom Boom Cats

Boom Boom Cats - Tell Me Who... Told You 'Bout Lovin'
Boom Boom Cats – Tell Me Who… Told You ‘Bout Lovin’

Boom Boom Cats – Tell Me Who… Told You ‘Bout Lovin’

Vinylux V0006 [2005]
Tell Me Who – The Opening Act – Crazy Crazy Lovin’ – Rooster in a Henhouse – Everytime That Record Plays – Right String Baby But The Wrong Yoyo – Two Bop – Long Time – Go Go Go – It’s Raining Tonight – Diamonds

The Boom Boom Cats were from Baltimore, Maryland and consisted of Eddie MacIntosh on vocals, Mark Pettijohn on drums, Lee Verzosa on double Bass and Joe (last name unknown) on guitar. Their album was issued on Vinylux Lance and Wendy LeBeau’s label. Lance also recorded it, and I guess it’s one of the reason why you can hear similarities with the sound of the Flea Bops. And I suppose that these guys share the same influences (Perkins, Burnette, Joe Clay…). They do great justice to Johnny Carroll’s Crazy Crazy Lovin’, Carl Perkins’ Right String Baby But The Wrong Yoyo and Roy Orbison’s Go Go Go, but they really shine on their own material written by MacIntosh, whose voice is another thing that makes the difference with many other rockabilly acts.
After the band folded, MacIntosh and Pettijohn stayed together and formed the Garnet Hearts.
Fred “Virgil” Turgis

Stardevils Trio

Stardevils
Stardevils

Stardevils Trio – s/t

Kat Tone Records SD0004 [2008]
Rosalita – Bee Bawlin – You AIn’t Nothin But The Blues – $$ Bag Woman – Kitty Kat Bop – Cynthiana – Raw Deal – Biscuit Eatin Baby – Thought I Knew Blue – Hungry For Your Lovin’ – I Miss Marie – Run My Baby
The Stardevils are a classical authentic rockabilly drummerless trio that hails from Kentucky. Buck Stevens have played with them and it’s a reference good enough for me.
They write most of their material which is also always a plus for me. This is a relatively short album which is another quality  especially for a rockabilly album. The opposite either means that there are too many songs (and it’s hard to keep a level of quality on 20 songs) or the songs are too long (I don’t believe in 6 minute rockabilly tunes). Next to Sun and Meteor inspired songs you can find some latin influenced (Rosalita) and a bit of hillbilly bop too. The musicianship is excellent. Frank Turner provides a solid backbone on the slap bass and perfectly fullfill the bass and percussions duties (think Kevin Smith) and Jim Ohlschmidt plays superb guitar licks (and most of all they don’t sound like you’ve heard them hundreds of tiumes before). Lance Kaufman is an accomplished singer too, knowing when to hiccup (and when not) and adding some yodel to spice things up.
If you like Wayne Hancock and the Starline Rhythm Boys, this guys are sure to pleease you.
Fred “Virgil” Turgis

Ray Condo

Ray Condo - frntRay Condo – Sweet Love On My Mind bw/ Big Dog, Little Dog
Ray Condo Records CP007
This is a posthumous single gathered by Ray’s friend. Side one is the classic Johnny Burnette tune given the Hardrock Goners treatment, something like «wild rockabilly meets Hank Williams». B-side «Big Dog, Little Dog» is a song recorded during a rehearsal by Ray and his last musical project, featuring Stephen Nikleva (The Ricochets), Ian Tiles and Tony LaBorie, just a few months before his death. I may be wrong but the only other issued song from this line-up can be found on a tribute album to Alejandro Escovedo. A great piece of wildness (imagine Dee Dee Ramone goes hillbilly).

Fred “Virgil” Turgis

Starline Rhythm Boys

starlinerhythmboys_liveThe Starline Rhythm Boys – Live At Charlie-O’s

Cow Island CIM011 [2008]
Yellow Jacket / A Dime At A Time / Heartbreak Tennessee / Charlie-O’s / On The Back Row / Life Begins At 4 O’Clock / Wine Me Up / Lonesome On’ry And Mean / Pipeliner Blues / You’re Still On My Mind / One Foot In The Honky Tonk / She Don’t Live Here No More / Dark Hollow / Live And Let Live / Get A Little Goner / Drunk Tank / Playboy / You Can’t Catch Me / That’s Where I Went Wrong / I’m A Lonesome Fugitive / Gotta Travel On / Too Much Fun / Drink Up And Go Home.

The Starline Rhythm Boys – Masquerade For A Heartache

starlienrhythm boys masqueradeCow Island CIM014 [2009]
Masquerade For Heartache / Jive After Five / Trucker From Tennessee / Workin’ Man Blues / Honky Tonk Gal / Red’s Place / A Mess Of Blues / Goodbye Train / I’m Fed Up Drinking Here / Ubangi Stomp

Here’s the cure to the stress of your everyday life and your summertime blues: the hot rockin’ honky tonk swing style of a Starline Rhythm Boys show in your living room! Recorded live at their homebase of Charlie-O’s bar, it features a typical set of the trio mixing classics from Johnny Paycheck, Wayne Walker, Conway Twitty, Faron Young, Chuck Berry, Bill Kirchen… with a couple of band’s own (She Don’t Live Here, Drunk Tank, That’s Where I Went Wrong). Add the presence of Sean Mencher (High Noon) to produce an play second guitar on one track as well as Kevin Maul on steel (both lap and pedal) and you just have to put the cd in the player and let the fun begins.

Masquerade For A Heartache is the perfect companion to Charlie-O’s with 10 more tracks recorded during the same show. Once again it’s very well balanced between originals (Masquerade…, Red’s Place, I’m Fed Up Drinking Here) and covers of Carl Perkins, Merle Haggard, Elvis. This mini album goes from straight Honky Tonk to Rock’n’roll with a good dose of Rockabilly including one of the best version of Ubangi Stomp I’ve ever had the chance to listen to!

You can buy them separately but do yourself a favor and buy both.


the Starline Rhythm Boys - Red's Place
the Starline Rhythm Boys – Red’s Place

The Starline Rhythm Boys – Red’s Place

Cow Island Music CIM05
A Fighting Chance – No Gal Cooks Like Mine – Red’s Place – It’s Anyone’s Guess – (They’re) Cutting Back the Work Force – That’s Just A Thought – The Joke’s On You – Who – The Family Farm – Drunk Tank – Sin & Salvation – Burning A Hole In My Mind – The Old Filling Station – That’s Where I Went Wrong – I’m Fed Up Drinking Here – A Memory of Fred

The Starline Rhythm Boys are a drummerless trio (Danny Coane, acoustic guitar; “Big Al” Lemery, electric guitar; and Billy Bratcher, doghouse bass) that plays in the same league as High Noon (no wonder to find Sean Mencher on the production seat) and Wayne “The Train” Hancock (Billy Bratcher toured with him by the way). But they don’t stick to the trio format and bring a couple of guests to keep things varied and surprising, and most of all highly enjoyable.
Most of the songs are originals written by Bratcher.”A Fighting Chance” is a powerfull slap bass led hillbilly/proto rockabilly (what a guitar too) with harmony vocals. “No Gal Cooks Like Mine” features a fiddle in addition to the steel and praises the simple domestic joys. The title track has more of a late 50’s honky tonk feel with a bit of Buck Owens in it, still with great harmonies, and a superb piano part. Big Al Lemery is not only a wizard on the telecaster, he’s also a poignant singer and proves it on “It’s Anyone’s Guess” a slow number in the vein of “Before The Next Teardrop Falls” with mandolin, fiddle, light snare and pedal steel. “They’re Cutting Back The Work Force” shows once again what a good songwriter Billy Bratcher is, able to write about booze or social issues ( I Got Kids to feed, but there’s no remorse, once they start cutting the work force“) with equal success. “That’s Just A Thought” is a beautiful little hillbilly bop ditty that looks toward the western swing side of things with each members of the horn section taking solos. They turn Jimmy martin’s bluegrass number “The Joke’s On You” into a uptempo rockabilly. Another cover is Little Walter’s “Who“, which becomes a “hillbilly-blues” (and reminds what High Noon did with “Crazy Mixed Up World” on their Texas Style 10″). “Family Farm” is a sad and beautiful waltz with bluegrass accents. Al Lemery wrote and sings “Drunk Tank” a nice hillbilly bop. The honky Tonk “Sin & Salvation“, on a well known theme, is another proof they never falls into facility. They bring modulation and unusual chords. Man that’s good ! Connie Smith’s “Burning A Hole InMy Mind” adds a welcome touch of 60’s country music.On “The Old Filling Station” with simple words (and a beautiful melody) Bratcher paints a melancholic picture (Do you remember when you never pumped your gas/And the man with the Star was a symbol of class). I really enjoyed “I’m Fed Up Drinking Here“, the best song George Jones never recorded. How can’t you love a band that plays right and sings “The Old Juke box that I leaned on/Was a rock for life’s hard knock but now it’s gone/When a man’s mind ain’t clear/ a lack of George Jones is severe“. The set ends with a sincere hommage to a friend of them, Fred, and you can feel both the love they have for him and the personnality of the man, even if you never met him.
Authenticity is not only a matter of music, it’s above all a state of mind. And this guys play genuine country music that speaks to your heart and your feet.
Thank you for that Boys !

Fred “Virgil” Turgis

Fred “Virgil” Turgis

The Reach Around Rodeo Clowns – Rockabilly Deluxe

The Reach Around Rodeo Clown - Rockabilly Deluxe
The Reach Around Rodeo Clown – Rockabilly Deluxe

The Reach Around Rodeo Clowns – Rockabilly Deluxe [2013]
Lanark Records
King of the Slot Car Track – Long Gone Daddy – Bowling Alley Baby – Wild Crazy and Out of Control – Paranoid Boy – I Used to Be the One – I got the Shakes – I’m Obsessed – It’s Rock & Roll – The Light So Bright
The Reach Around Rodeo Clowns approach their brand of modern rockabilly with a punkish attitude. Their motto here seems to be “Grab them by the balls, don’t let them go and keep it short!“. With ten songs all written or co-written by guitarist, label owner, producer, arranger Quentin Jones, it’s “misson completed” for the quartet. It’s a mix of powerful rock’n’roll, some with horns, classic rockabilly, a bit of 80’s neo-rockabilly and even some mariachi stuff with a bit of surf thrown in for good measure. The two highlights are “Wild Crazy and Out of Control” that sounds like an anthem and “I’m obsessed” a superb melodic rocker that could be a potential hit if the radio had enough “you know what” to play real rock’n’roll.

Fred “Virgil” Turgis

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