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Horton Brothers (the)

The Horton Brothers – Tempo for Two

Texas Jamboree TexJam 0062 [2005]
Hey Little Momma – My Own Two Eyes – North To Dallas – I Ain`t Got Time For Love – More Than I Cay Say – Locked Out Of Love AgainI Had One Too Many – She Tells Me With Her Eyes – Shadows Of The Old Bayou – Yesterday´s Blues – Just Who

Horton Brothers tempo for two

Even if they were still active on the scene, The Horton Brothers hadn’t released anything on their own since “Heave Ho“ in 2000. But it was worth the wait because this album is simply great. Just have a look at the musicians: playing with Bobby and Billy are Dave Biller, Buck Johnson and T Jarrod Bonta, the same winning team you find on Shaun Young’s Wiggle Walk. Even if this record is still what you can expect from the brothers (sweet harmonies, beautiful melodies…) I should say, comparing to Heave Ho or Roll back The Rug, that this one is less “rural” and sometimes more 60’s-sounding. The opening track, Bobby’s Hey Little Momma, has a very Buddy Holly feel with his beat à la Not Fade Away. The Buddy Holly connection continues with the Sonny Curtis and Jerry Allison song “More Than I Can Say“. A beautiful version all in subtlety. Another cover, Ruth Brown’s “She Tells Me With Her Eyes” has a very strong Phil Spector feel in it (with those big drums rolls used in place of the “shoo-bee-dooby-wops”). Another highlight is “I Had One Too Many”, The Wilburn Brothers song. They really rocked up this one with a wild boogie piano part and it works. But as usal, if the covers are great, the real strength is in the songs written by the brothers. “My Own Two Eyes” is by far my favorite with a solid tempo and nice harmonies, and “Yesterday’s Blues” is a beautiful slow tempo with sax (played by Billy).


The Horton Brothers – Jack in the Boogie Box

Ecco-Fonic EF-1010 [1997]
Jack in the Boogie Box – Just a Pickin’ and a Slappin’ – Roll, Hot Rod, Roll

Horton Brothers Jack In The Boogie Box

After a half-convincing first album on which the two brothers still seemed to be searching for their sound, Bobby (guitar) and Billy Horton (upright bass) moved to Austin. Then, the Horton Brothers began to develop their own style, thanks to Shaun Young (High Noon), who notably advised them to focus more on vocal harmonies.
The first result of this evolution materialized as an EP recorded at Fort Horton Studios and released on Ecco-Fonic Records, Deke Dickerson’s label. The two brothers were backed by Shaun Young on drums and Derek Peterson (Kidd Pharaoh, Jive Bombers) on rhythm guitar.
On side A, we find Jack In the Boogie Box, a mid-tempo hillbilly-boogie penned by Billy, on which the voices of the Horton brothers are reminiscent of the Belew Twins. The duo later re-recorded this song for Heave Ho, their third album.
Side B contains two tunes. The first is an excellent instrumental composed by Bobby, whose program is contained in its title “Just A Pickin’ and A Slappin’” (and also a little drummin’). The second track is a boisterous cover of Oscar McLollie’s Roll Hot Rod Roll.


1200 copies, pressed on black vinyl.


The Horton Brothers – Hey! It’s Bobby and Billy

Crazy Love Records CLLP 6418 [1996]
Hillbilly Hepcat – Smoochin` With My Baby/Please – Hello, Hello – Let`s Go Boppin` Tonight – Talk To You By Hand – The Other Side Of The Moon – The Beaumont Boogie – I Can`t Sit Still – Insomnia – Are You In Love? – Look My Way – Scary Cat – I`m Out

The Horton Brothers – Hey It’s Bobby and Billy

Hey It’s Bobby & Billy” is the debut album from the Horton brothers on which they are backed by top musicians including Shaun Young, Chris Miller, Tjarko, Lisa Pankratz. It contains good moment but to be honest, it’s far from the Horton sound they developped with their following albums. On this platter they are still in the process of learning their chops and finding their style and the album seems to suffer from a lack of direction. Some songs are good and announce “Roll Back The Rug…” but the sound remains a bit modern. It’s even more evident on some rockabilly material like « Look My Way » or « I Can’t Sit Still » that is closer to the Stray Cats than, say, Rusty and Doug. 
Not as essential as the rest of their discography but worth a spin nonetheless.

Fred “Virgil” Turgis

Horton Brothers (Billy and Bobby)
Horton Brothers

Spud Sims

Spud Sims & the Beltways – Yours Truly

Shed Stomp Records [2023]
Yours Truly /True Love Is Waiting

Spud Sims & the Beltways

Single after single, Spud Sims continues to enchant us with his sweet melodies and talent as a songwriter. His last two titles are no exception to the rule. The delicate Yours Truly is embellished with a twang guitar played by the faithful Scott Cater (who also plays bass) with Paul Ward (Cave Catt Sammy) on drums. True Love Is Waiting is even better (and for what it’s worth, my favourite Spud Sims song so far), with its very marked Buddy Holly feel (who would complain?) reinforced by the drum pattern. I’d love to have an entire album of songs in this genre because two songs are way too short, so we find ourselves listening to them repeatedly.

Available here: https://shedstomp.bandcamp.com/album/yours-truly-true-love-is-waiting


Spud Sims & the Beltways – For Lovers Only

Shed Stomp Records [2023]
Sweet Rockin’ Betty – Lonesome For You – If You Love Me (I Want To Know Tonight) – Always In My Heart

Spud Sims

Spud Sims returns with four brand new songs centred around love, recorded with Scott Cater on bass and rhythm guitar, Brian Duarte (Lil’ Bit & the Customatics ) on lead guitar, and Paul Ward (Cave Catt Sammy) on drums.
Sweet Rockin’ Betty is a mid-tempo rocker with a groove akin to Ricky Nelson’s Believe What You Say. The band delivers a tight tension throughout the song, with the electric guitar bursting into a short yet electrifying solo.
Lonesome For You You is a beautiful ballad and already sounds like a long-lost classic. Spud Sims’ voice is tailor-made for this kind of material, and once again, the band does a perfect job. The success of a ballad of this type lies in the balance between the voice and the instruments. Here, the group perfectly highlights the voice but remains sufficiently in the background so as not to interfere — excellent production work from Jason Chronis.
Back to Rock’n’Roll, with a slight 60s vibe and a twangy guitar with If You Want Me (I Want To Know Tonight). The singer and the band perfectly capture the spirit of the genre without trying to copy anyone or anything.
The set ends with Always In My Heart, another delicate tune with a slight Buddy Holly feel in the drums, but still, once again, 100% Spud Sims & the Beltways. As I already said, I’m more keen on Buddy Holly and Ricky Nelson than frantic Rockabilly. Writing a beautiful melody with simple elements that sounds natural and obvious is, for me, a higher achievement than playing 200 notes per minute for a sterile solo. This is why I am particularly sensitive to the voice and songwriting talent of Spud Sims.
Trust your ears and heart and go to Bandcamp to listen and buy Spud’s latest EP.


Spud Sims & the Beltways

Shed Stomp Records [2021]
Baby Come Back to Me / My Eyes Are Only for You

Spud Sims

Behind Spud Sims and the Beltways hide Micah Sims on vocals and guitar and Scott Cater on guitar, bass, etc.

This young fellow, I believe he was born in 1994, counts among this new generation of singers, like Colton Turner and the Mellows, to whom his voice is close or Marcel Riesco, who favours the melody rather than the wild side of roots music. That’s a good thing! As a fan of Ricky Nelson and Buddy Holly, I’ll be the last to complain!

This single is perfect in its simplicity. The songs are simple yet elegant, and the lyrics have timeless obviousness. “My Eyes Are Only for You” is a love song, but unlike many, this guy makes you feel something. These are not just words. Not only that, but Sims really knows how to play with his voice and his diction, to make one note last and then catch up time. In other words: he sings. 

Behind, the music is sweet with that slight raw edge on the sound to avoid all idea of sentimentality (in the bad meaning of the term).

Two songs are way too short, but that’s also the beauty of the thing. I sincerely hope there will be more from Spud Sims in the future.

Single available here.
Spud Sims on Facebook and Instagram.

Fred ”Virgil” Turgis